Greatest hits

By GREG COOK  |  June 4, 2008
Sueratinside.jpg
AMAZING APPARITION Georges Seurat’s At
the Gaîte Rochechouart (Café-concert).

Radeke favored works revealing the artist’s process, like Matisse’s streamlined sketch of naked ladies. Danforth preferred showcase pieces like a terrific Van Gogh drawing of a flowery field running off to trees and a village. Its accumulation of pen dots and dashes reminds how much of his style was driven by transposing the techniques of drawing into painting. Danforth also contributed an amazing Georges Seurat drawing of woman singing on stage and an orchestra in a pit at the foreground. Though just black crayon accented by white paint, it feels like an apparition.

The exhibition “RISD and Photography,” on view through October 26, emphasizes RISD’s leadership in acknowledging the medium as a fine art with a sampling of works by the school’s twin stars — Harry Callahan, who arrived at the college in 1961, and Aaron Siskind, who joined him in 1971, as well as photographs by graduates and current faculty. A two-video exhibition by Mika Tajima (though October 12) includes Broken Plaid (2003), which shows geometric lines rolling around on screen and then escaping into the gallery itself.

Before you leave, check out the new bathrooms. The wallpaper — malachite pattern for guys, surreal ladies’ heads for gals — by the late Italian designer Piero Fornasetti is excellent.

< prev  1  |  2  | 
Related: Lasting impressions, Take a look, Exhibition expedition, More more >
  Topics: New England Music News , Culture and Lifestyle, History, Georges Seurat,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK