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CD Reviews
Friendly Fires
Friendly Fires | XL
By
SAM UBL
|
September 2, 2008
FRIENDLY FIRES, FRIENDLY FIRES
" alt="photo of 'FRIENDLY FIRES, FRIENDLY FIRES'">
3.0
Stars
Since the Swiss Beats Act of 2003 made it safe for indie-rock fans to dance, lots of bands have demonstrated proficiency in four-on-the-floor metrics, stiff rhythm guitar, and a strange creature known as a mash-up. But few have embraced the euphoric corniness and unblushing sentimentality that unites styles as distant as Balearic house and happy gabber. Which is why I never understood the clamor over the Klaxons, who seemed as spiritually out of touch with their putative rave inspiration as Friendly Fires seem in tune with their omnivorous catalogue of influences. The Hertfordshire trio’s debut full-length cobbles from some of dance rock’s silliest (and sappiest) party mavens, among them Talking Heads, Prince, and the Rapture, as well as from primary sources: hear Professor Murder tumbled into an æthereal anthem trance wormhole on “Jump in the Pool” and Michael Jackson paid naive and ecstatic homage on “Lovesick.” There’s even a Schaffel track, “White Diamonds,” and it’s a pretty good one. Eclecticism like this can be a drag when it’s forced or disingenuous, but Friendly Fires’ enthusiasm is disarming. They’re hipsters who don’t mind looking goofy, and if that makes them worse hipsters, it makes them way —
way
— better musicians.
Related
:
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,
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,
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,
More
Black Mountain
The band’s sound comes together best on the opening track, “Stormy High,” which, rather than inspiring you to space out, pulls you out of your seat with its relentless monster garage riffage.
Broken Social Scenester
Headed into the studio next month to record the follow-up to Let It Die , Feist pauses briefly to look back: "Once during a concert I looked down at myself and my legs were covered in blood."
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Ray LaMontagne is a pretty funny guy. But it’s a subtle humor.
Madeleine Peyroux | Bare Bones
You could say that Peyroux's third album for Rounder in five years is just more of the same.
Tiga | Ciao!
This Montreal-based electro-house dude made his name with slyly straight-faced covers of Nelly's "Hot in Herre" and Corey Hart's "Sunglasses at Night," and on his second studio disc, he doesn't appear hugely concerned that his original material should sound all that original.
Burial
Dubstep has been given its Dizzee Rascal moment with the release of Burial’s Untrue , the elusive London producer’s second album.
Shadows Fall
Metal fans are a dogmatic bunch.
Reverence without pity
Unless you actually think Ozzy Osbourne still has some fire in his belly, you can’t help but argue that Black Mountain will be the most exciting rock show to come to Portland in some time.
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Roy Davis has made a number of good choices since the release of his promising debut disc, Grey Town , in early 2007.
On the racks: May 16, 2006
Plus new records by Radio 4, Rock Kills Kid, and Ben Folds.
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According to the liner notes, these hard-living Southern rockers recorded most of their seventh album “within hours” of writing it in the studio.
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ARTICLES BY SAM UBL
PETER BJORN AND JOHN | SEASIDE ROCK
| October 01, 2008
It’s really pointless. And somewhat nice.
YOUNG JEEZY | THE RECESSION
| September 10, 2008
Remember, Jeezy disdains rappers, just like the teen movie anti-hero who decries the phoniness of movie stars.
FRIENDLY FIRES
| September 02, 2008
The Hertfordshire trio’s debut full-length cobbles from some of dance rock’s silliest (and sappiest) party mavens, among them Talking Heads, Prince, and the Rapture.
LYKKE LI
| August 26, 2008
Lykke Li may be hotly tipped for Starbucks stereoplay, but she’s more “Konichiwa Bitches” than Keren Ann.
PERHAPST
| August 19, 2008
To say he’s not a leading-man type is an understatement.
See all articles by:
SAM UBL
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