Pump up the Volume

A Twisted Roots retrospective (with five new songs)
By SAM PFEIFLE  |  October 16, 2008

beat_TwistedRoots1_3DINSIDE.jpg

Nowadays, it’s hard to remember that Twisted Roots ever broke up in the first place. Or that they’d been playing for a decade before the break-up even happened. With 2004’s self-released The Seed, last year’s Rat Pak record 12 Skies, Fire and the Black, and a steady stream of shows throughout the state, TFR (the “F” stands for “fucking,” but you knew that) have reestablished themselves at the head of Maine’s heavy music scene.

You know, the scene that seems to produce more show attendees and record buyers than any other in the state?

It bears remembering that just about now Twisted Roots are celebrating 20 years as a band, and their label commemorates the fact with Volume 1, a collection of 16 songs that are variously from their two Cherrydisc albums, Turn to Stone and Communication, and their last disc before the break-up, Body in the Trunk, Brick on the Gas, plus an unreleased live take, two brand-new songs recorded with Jon Wyman, some remixes, and three unreleased recordings from the somewhat distant past.

Don’t overthink it. Unless you’re a serious local-music collector, you have basically none of this material. Body in the Trunk is widely held, yes, so maybe you’ve got five of these songs, but both Communication and Stone have been out of print for more than a decade, and were available for sale before even an old man like me was out of college.

So, experience it all again for the first time. The mastering is such that you’d never know the difference from a tune recorded in 1992 and 2008, and the material holds up remarkably well. Twisted Roots’ brand of melodic heavy rock has never really lost its fanbase, moving from the grunge era to alternative-rock radio to the sort of metal we hear today played by Dead Season, Loki, Civil Disturbance, and any number of other bands that combine driving, distorted guitars; an active, down-tuned bass; floor-tom- and cymbal-heavy drums; and soaring melodic vocals.

“Tracks” is one of the tunes that got the band noticed, with what became a trademarked vocal-oriented open, with just an acoustic-guitar backing: “She wept/And the sound of seven guns drummed in her head.” Back when Stone came out, Neil Collins was playing bass, before he went on to play with Lincolnville and Eldemur Krimm. His playing drives this track, pushing forward what is a great radio-friendly sing-along.

The brand-new “Counter on the Hill” — with the current line-up of frontman Pete Giordano, lead guitarist Adam Powers, drummer Sonny Robinson, and bassist Mark Lennon — is a two-minute “Tracks” homage. The opening vocals are a little more naked, and there’s a nod to a lower-fi aesthetic, but “I heard about the gun you held.”

But it doesn’t really matter which songs were recorded when, since much of the band’s new audience didn’t even have access to Twisted Roots when the songs were first released. As in: the Internet and the MP3 weren’t invented yet (that’s an exaggeration, but only just). Nowadays, the appetite for American heavy rock in Germany, Russia, Scandinavia, and elsewhere can’t be overstated. And Internet radio stations are happy to sate their appetites with heavy riffage from the Roots.

1  |  2  |   next >
Related: Seeing Sparks, Multi-colored Greetings, Decades and Days of the new, More more >
  Topics: Music Features , Entertainment, Music, Pop and Rock Music,  More more >
| More


Most Popular
ARTICLES BY SAM PFEIFLE
Share this entry with Delicious
  •   LIVING WITH SNAEX  |  November 03, 2014
    Snaex's new record The 10,000 Things is all a big fuck you to what? Us? Lingering dreams of making music for others to consume? Society at large?  
  •   THE BIG MUDDY  |  October 24, 2014
    Some people just want it more.
  •   TALL HORSE, SHORT ALBUM  |  October 16, 2014
    If Slainte did nothing more than allow Nick Poulin the time and space to get Tall Horse together, its legacy may be pretty well secure. Who knows what will eventually come of the band, but Glue, as a six-song introduction to the world, is a damn fine work filled with highly listenable, ’90s-style indie rock.
  •   REVIVING VIVA NUEVA  |  October 11, 2014
    15 years ago last week, Rustic Overtones appeared on the cover of the third-ever issue of the Portland Phoenix .
  •   RODGERS, OVER AND OUT  |  October 11, 2014
    It’s been a long time since standing up and pounding on a piano and belting out lyrics has been much of a thing.

 See all articles by: SAM PFEIFLE