Another Nail in the coffin

By SAM PFEIFLE  |  October 29, 2008

Still, the social and political commentary paired with some really driving backing draws attention in this season of silly outfits and red and blue states. The title track namechecks Truman Capote and riffs on themes from Ray Bradbury’s Fahrenheit 451. Its finish, awash in giddy-up guitars, asks an interesting question: “Are you tired of hiding from/What you want to be?”

And “Built for War” paints a particularly ugly picture of the grand old USofA, opening with spacey guitar work and full of subtle guitar runs amidst a manic drum line: “Your wife and children mean nothing to me/I drop plutonium on your city streets.” As we cavort and play at being something other than ourselves (how many Palin costumes might you see?), we’ll be all too close to a day of serious reckoning.

Their grammar might be perfect, but BCH’s advice ain’t bad: “Put pigs in the White House, and swine is begot/Put your faith in nothing, and that’s what you got.”

Sam Pfeifle can be reached at sam_pfeifle@yahoo.com.

Drive Another Nail | Released by Big Coffin Hunters | with Werewolves on Wheels and Ogre | at Geno’s, in Portland | Nov 7 |www.bigcoffinhuntersmusic.com

< prev  1  |  2  | 
  Topics: Music Features , Entertainment, Music, Ray Bradbury,  More more >
| More


Most Popular
ARTICLES BY SAM PFEIFLE
Share this entry with Delicious
  •   ROBERT STILLMAN RETURNS WITH THE ARCHAIC FUTURE PLAYERS  |  May 23, 2013
    For a guy who plays the saxophone the way people talk about, Robert Stillman is an awful good drummer. And keyboard player. He does a fair bit of impressive composition, too.  
  •   JOE FARREN’S COUNTRIFIED SECOND RELEASE  |  May 23, 2013
    It's been more than five years since Joe Farren's last record, a debut number on which he showed off his multi-instrumental chops and riffed on Americana themes.
  •   FILLING UP WITH PUTNAM SMITH  |  May 16, 2013
    Putnam Smith wishes he could trade places with Emily Dickinson.
  •   TRICKY BRITCHES ARE IN GOOD COMPANY  |  May 10, 2013
    Tricky Britches lean pretty heavily toward the old-timey end of the spectrum, with a deep and abiding respect for the body of American stringband work, manifesting itself in original songs that are instantly familiar.
  •   FOUR NEW WORKS FROM WHITCOMB  |  May 10, 2013
    Part of Whitcomb's appeal is that the material and the performance are of a piece, everything placed just so and meticulously machined.

 See all articles by: SAM PFEIFLE