Meant to be

The Books leave (almost) nothing to chance
By MICHAEL BRODEUR  |  April 7, 2009

 

090410_Bookss_m
SQUARE FOOTAGE: Lately, de Jong (right) has been hitting small-town branches of the NYPL to comb their audio/visual collections, and Zammuto has been rearranging hair and beauty ads from the '90s. 

You can hear a lot of things during a phone call with the Books. A muzak soul rendition of "You Are My Sunshine" struggling to keep intact as our conference call queues. The persistent crowing of a newly acquired rooster in Nick Zammuto's yard. ("We're going into the egg business," he says from his Green Mountain home in southern Vermont.) And a delicate, clearly uncontainable (but well-managed) sigh from Paul de Jong. This last when I ask who, if anybody, they look to as influential fellow practitioners of aleatoric music — that is, music generated at least in part through chance. I was gonna do a sidebar.

"It's funny, because, you know, we don't think of ourselves as that," he says, to correct the record. "We don't call ourselves that."

There's only a slight flicker of frustration active in his voice, but it's enough to have me imagining de Jong gently kicking himself once a day for having included "Read, Eat, Sleep" on their 2002 debut, Thought for Food (Tomlab). As its truncated acoustic-guitar and bit-fucked music-box samples amble and stutter forward, and as little analog drafts sweep through its hidden hallways and slam what sound like screen doors shut, the song swells, vanishes, and comes clambering back carrying a sample that has served as a de facto critical cue card for most of their career: a pair of male voices repeating the word "aleatoric" as though to learn it. They even go so far as to fit it into context for us: "By digitizing thunder and traffic noises, Georgia was able to compose aleatoric music." But de Jong is right: there's something about the term that doesn't quite fit what the Books, who come to the ICA this Friday, do.

No question that their æsthetic is as culled as it is composed. For the past couple of years — in addition to starting families and, in Nick's case, ordering hens — the two have been adding to the enormous archive of sound and video fragments from which their songs are assembled. De Jong has been hitting small-town branches of the New York Public Library to comb their audio/visual collections; Zammuto has been rearranging hair and beauty infomercials from the '90s. (I offered to send him my gift copy of Facial Magic, a home-beauty regimen that promises face-lift results through a routine of pinching and pulling — but he already had it!) For close to a decade, the two have been extracting precious bits of language from their original contexts, clipping syllables into rhythmic gibberish, using fits of laughter to imply melody, butchering narratives, undoing poems, sabotaging educational speech, converting sense to nonsense and refining it back into what feels like a purer sense.

1  |  2  |  3  |   next >
Related: A cut above, Bytes of knowledge, Giving good gimmick, More more >
  Topics: Music Features , Culture and Lifestyle, Books, Fashion and Style,  More more >
| More


Most Popular
ARTICLES BY MICHAEL BRODEUR
Share this entry with Delicious
  •   FOLK ACT  |  June 26, 2010
    Vikesh Kapoor
  •   BOSTON PRIDE WEEK: OFF THE MAP  |  June 07, 2010
    We may seem a little cranky, but us local gayfolk just love a parade, and we’re actually heartened by this annual influx of brothers and sisters from every state of New England and every letter of our ever-expanding acronym.  
  •   THE NEW GAY BARS  |  June 02, 2010
    If I may channel the late, great Estelle Getty for a moment: picture it, Provincetown, 2009, a dashing young man with no discernible tan and an iffy T-Mobile signal languishes bored upon the sprawling patio of the Boatslip Resort.
  •   ARIEL PINK’S HAUNTED GRAFFITI | BEFORE TODAY  |  June 01, 2010
    If the gradual polishing of Ariel Pink’s sound — and it’s not all that much more polished — puts his loyalists at odds with his albums, I count that as good news.
  •   MORE THAN HUMAN  |  May 26, 2010
    It’s hard to talk about Janelle Monáe when your jaw’s fallen off.

 See all articles by: MICHAEL BRODEUR