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EMA | Past Life Martyred Saints
CD Reviews
Elvis Presley | From Elvis in Memphis
RCA/Legacy
By
ZETH LUNDY
|
July 28, 2009
Elvis Presley | From Elvis in Memphis
" alt="photo of 'Elvis Presley | From Elvis in Memphis'">
2.0
Stars
Elvis Presley temporarily avoided the obvious (and, one could argue, tragic) destiny of a washed-up parody with
The '68 Comeback Special
, a TV show that lifted the retaining wall of nodding yes men and lucrative movie contracts to reveal a mythic force continuing to pulse. That performance yielded sessions, in early 1969, in Memphis, the launch pad from which Spaceship Elvis had taken off into the cultural stratosphere more than 10 years before.
In place of Sun's pragmatic Sam Phillips was hot-shit producer Chip Moman, whose gaudy æsthetic — soft-rock schmaltz, pop-band zest, and Spector-ish ostentation — loudly declared the King's return. As this two-disc collection of album tracks and singles culled from those sessions reveals, however, the Moman-Presley collabo hasn't aged all that gracefully.
There are some gems here: "Suspicious Minds" remains Elvis's definitive late-period jam, and "Rubberneckin' " and "Stranger in My Own Home Town" flash the weirdo grin that hid beneath his hunky façade. But the nouveau-crooner cuts can make you feel as if you were listening to an AM loop in an old folks' home. Still, this stuff will surprise you every now and then if you let it, whether it's the random guitar-as-sitar solo or Elvis sympathizing with poor people in "In the Ghetto."
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ARTICLES BY ZETH LUNDY
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| May 22, 2012
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| May 15, 2012
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| May 01, 2012
In 1998, and again in 2000, English singer-songwriter Billy Bragg teamed up with Wilco— not yet on their post-Americana trip — to put unreleased Woody Guthrie lyrics to music.
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| April 24, 2012
Out of the Game is being billed as the most "pop" album of Rufus Wainwright's career, which is to say that it dismisses many of his trademark classical and/or stagey affinities.
THE DANDY WARHOLS | THIS MACHINE
| April 17, 2012
The title of the Dandy Warhols' eighth record may be a Woody Guthrie allusion, but don't fret — the closest the Portland, Oregon, band get to politics here is a cover of Merle Travis's "16 Tons."
See all articles by:
ZETH LUNDY
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