Holland laughs at the comparison. “I called it ‘Lazy Snake’ because it had this slightly sly kind of thing to it, and there’s a point in the middle and at the end where there’s a big staccato note that’s like the snake striking.” Some pieces are more preconceived. “Rivers Run” approximates the suite-like structure of a typical live set with the Sam Rivers trio. For the most part, though, he likes to let decisions emerge from his subconscious as he works. “When I was younger, I was much more controlling of my attention. At this stage, I’m just letting what’s there come out.”
A few years ago, Holland parted with his long-time label, ECM, to create Dare2, and he’s excited that his new Web site, DaveHolland.com, will be going up at the end of September. The Octet’s new album, recorded live at New York’s Birdland in January, will be available for purchase as a download a couple of months before CDs go on sale. The site will also offer a full complement of downloadable archive material, sheet-music scores, videos, etc. “I see the new technology as very liberating for an independent musician. It’s an opportunity to have a direct connection and really engage the people that you’re making the music for.”
DAVE HOLLAND OCTET + “A TRIUMPH OF TRUMPETS,” with the Jon Faddis Quartet, Sean Jones, and Wallace Roney | Tanglewood Jazz Festival, Lenox | September 6 at 8 pm | $17-$59 | 888.266.1200 or www.tanglewood.org
Related:
One night, one jazz trifecta, Teachers and students, Extremeties, More
- One night, one jazz trifecta
True, there aren't enough paying gigs for musicians, but the live music is out there — and last Wednesday, I had to scramble to make three promising shows.
- Teachers and students
Several of this fall's promising jazz performances are clustered around the week of October 18. That marks the 40th-anniversary celebration of the jazz-studies program at New England Conservatory, which, created by Gunther Schuller, established NEC as one of the international twin beacons of jazz education in Boston along with Berklee College of Music.
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You can experience jazz at two different extremes at the Regattabar this month, in visits from the quintets of Dave Holland and Tomasz Stanko.
- Pardon the interruption
Maybe it was when saxophonist Kelly Roberge, instrument in hand, leapt off the Cambridge YMCA Theatre stage in the middle of a performance by the Ayn Inserto Jazz Orchestra and fled the auditorium — as if in extreme gastro-intestinal distress.
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It seems lately that every other jazz musician I talk to under 40 wants to talk about melody — how it’s the thing they all care about.
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Aside from the general aggressive, post-rock, post-jazz underground feel, there’s pretty tunes here.
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Despite the title and the presence of Indian singer Geetha Bennett and Carnactic guitarist Prasanna, Indo-jazz fusion is merely a unifying design for composer/pianist Marc Rossi’s broad skills and interests.
- Up and autumn!
Behold! The prime of the approaching fall local rock crop.
- No new age
Yes, this Boston jazz trio incorporates the sounds of seals, tree frogs, and crickets. Yes, one of them is a working ecologist. Here's why you shouldn't hold that against them.
- Sonny, Pat, and all the cats
The primo jazz event of the spring will be SONNY ROLLINS 's concert at Symphony Hall on April 18 (bso.org). The great master saxophonist and peerless improviser often hits town in April, and this time it's to kick off his 80th-birthday tour. Whew.
- Mighty Mahler
Michael Tilson Thomas — music director of the San Francisco Symphony and former assistant, associate, and principal guest conductor of the BSO — was once considered a likely BSO music director.
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Topics:
Jazz
, Entertainment, Music, Sam Rivers, More
, Entertainment, Music, Sam Rivers, Conference of the Birds, Conference of the Birds, Steve Nelson, Lily Pad, tanglewood, ryles, Alex Sipiagin, Less