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Story telling

By KEN GREENLEAF  |  April 16, 2009

Each of these drawings has, in its own way, the same sense of mysterious banality. A bald man is seen from the rear, an IV bag is vignetted against a brick wall, a piece of a map has too little information to be useful, an apparent label to a box of walnuts has the top third of the letters cut off. Barnes quietly but firmly directs our attention to the parts of the scene that are missing, are probably important, and are beyond what we can know.

Ken Greenleaf can be reached at ken.greenleaf@gmail.com.

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Related: Structural integrity, Summer people, Conversation piece, More more >
  Topics: Museum And Gallery , Painting, Visual Arts, Tim Clorius,  More more >
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ARTICLES BY KEN GREENLEAF
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  •   ARC PRINTING  |  November 18, 2009
    For more than 50 years David Driskell, in his art and his distinguished academic career, has been a creative force in the intersection of modernist art and the African diaspora.
  •   SIMPLE AND DISTINCT  |  November 11, 2009
    “Planes of Abstraction” at the Maine Center for Contemporary Art brings together five artists with broad experience who share a common interest in a simplified image.
  •   JAZZ ON PAPER  |  October 21, 2009
    A gem of a show, two shows really, has quietly appeared at the Bowdoin College Museum of Art.
  •   PEOPLE, UNHID  |  October 07, 2009
    The late Bob Solotaire collected views the same way he collected friends, and he had a great many of both.
  •   DEEP LAYERS  |  September 23, 2009
    Throughout his long career Mark Wethli's work has been studied, careful, and formally rigorous.

 See all articles by: KEN GREENLEAF

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