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Close focus

By KEN GREENLEAF  |  May 13, 2009

Each of the combinations is an exercise in active knowing. They are so small that to apprehend them at all you are required to make them the only thing in your field of view. They passively await your approach, but actively insist that you must consider each without a thought of whatever else is going on in the room. For a few minutes you are under Hart's direction, thinking about what she wants you to think about. She has your attention.

Ken Greenleaf can be reached at ken.greenleaf@gmail.com.

"LEXICON: DIPTYCH OIL PAINTINGS" | works by Mary Hart | through May 31 | at Aucocisco Gallery, 89 Exchange St, Portland | 207.775.2222

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  Topics: Museum And Gallery , Painting, Visual Arts, Archimedes of Syracuse,  More more >
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ARTICLES BY KEN GREENLEAF
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  •   ARC PRINTING  |  November 18, 2009
    For more than 50 years David Driskell, in his art and his distinguished academic career, has been a creative force in the intersection of modernist art and the African diaspora.
  •   SIMPLE AND DISTINCT  |  November 11, 2009
    “Planes of Abstraction” at the Maine Center for Contemporary Art brings together five artists with broad experience who share a common interest in a simplified image.
  •   JAZZ ON PAPER  |  October 21, 2009
    A gem of a show, two shows really, has quietly appeared at the Bowdoin College Museum of Art.
  •   PEOPLE, UNHID  |  October 07, 2009
    The late Bob Solotaire collected views the same way he collected friends, and he had a great many of both.
  •   DEEP LAYERS  |  September 23, 2009
    Throughout his long career Mark Wethli's work has been studied, careful, and formally rigorous.

 See all articles by: KEN GREENLEAF

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