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Fincher's fascination with, and film's illusory power over, time deepened the mystery of his previous film, Zodiac. Such insights also redeem Button from its cuteness and kitsch. Striking sequences like the blowing to bits of World War I doughboys in reverse (borrowed perhaps from a passage in Kurt Vonnegut's Slaughterhouse Five) elevate the story from curiosity to tragedy. It may be a box of chocolates, but the soft centers are bittersweet.

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ARTICLES BY PETER KEOUGH
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    No director pulls off the bait-and-switch as craftily as Jason Reitman. He gets you thinking that you're watching a hip, caustic comedy subverting the status quo, but by the end, he's vindicated all the platitudes he seemed to scorn.
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    Nicolas Cage is at his best in Bad Lieutenant

 See all articles by: PETER KEOUGH

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