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Groop therapy

By MICHAEL BRODEUR  |  October 1, 2008

Along with the rest of the band, Sadler is anything but nostalgic for the aggressive sounds of their early works (“No, no . . . boring! No joy in those songs anymore”), anything but worried over how public perception might affect the band’s future (“It’s an eternal presence for me”), and anything but concerned about the bus (“Things aren’t always smooth, but that is the story of humankind!”). Where uncertainty and fickleness define so many artists, it’s encouraging to see the Lab stick to their experiments — and excel by the simple practice of keeping their priorities straight: “We’re just fortunate to be alive, on tour and on this beautiful planet. Is it always pure joy? No.”

STEREOLAB + LE LOUP + MONADE | Paradise, 967 Comm Ave, Boston | October 6 at 8 pm | $22 | www.livenation.com

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Related: Re-taking a leak, Interview: Elly Jackson of La Roux, Drear leaders, More more >
  Topics: Music Features , Paradise Rock Club, Stereolab, Stereolab,  More more >
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ARTICLES BY MICHAEL BRODEUR
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  •   TREAT OF VERSAILLES  |  December 02, 2009
    It's been a good year: their relentlessly catchy Wolfgang Amadeus Phoenix (V2) — whisked into the public ear this year atop Cadillacs via ad-ready singles like "1901" and "Lisztomania" — is about to cause some year-end listomania of its own. Since its release, they've been circling the globe playing to a steadily swelling audience.
  •   JULIANNA BARWICK | FLORINE  |  December 02, 2009
    When someone describes an album as “hmmm, I dunno, sort of like Enya if she were from Brooklyn” — that person is not setting you up for success with said album.
  •   SING YOUR LIFE  |  November 24, 2009
    Charles Spearin's Happiness Project — to be performed this Friday at the Middle East Downstairs as part of a trio of Torontonian acts — was originally just that: a project.
  •   A BAND, A PART  |  November 24, 2009
    My lingering qualms with Devendra Banhart's new album have very little to do with its substance and more to do with its consistency, a quality that throughout What Will We Be? seems present only in its glaring absence.
  •   HEATHER WOODS BRODERICK | FROM THE GROUND  |  November 17, 2009
    Let not the minimalist packaging of Heather Woods Broderick’s From the Ground mislead you into assuming it’s some sort of heady ambient work that you’ll get around to next time you’re cleaning — as happened to me.

 See all articles by: MICHAEL BRODEUR

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