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The Wee Trio | Capitol Diner Vol. 1

Bionic Records (2008)
By JON GARELICK  |  October 17, 2008
3.0 3.0 Stars

weetrioinside.jpg
The up-front news is that this vibes-bass-drums trio include the now-obligatory post–Bad Plus contemporary pop covers, in this case Nirvana and Sufjan Stevens. More important is their original ensemble sound, which alternates relentless speedy agitation with shapely dynamics. Even when vibraphonist James Westfall favors the vibrato that gives his instrument its name, it’s not to serve long, lyric arcs in the manner of Milt Jackson but to engage the band’s to-and-fro. They attack “About a Girl” with a cool drum ’n’ bass patter and an aggressive three-way rhythmic taffy pull that’s worlds away from Kurt’s wounded croon. Westfall softens his attack for Stevens’s lament “Flint (For the Unemployed and Underpaid),” filling out the arrangement with gamelan-like bells. Monk’s “We See” (renamed “Wee See,” natch) has a plumy bebop lilt while retaining the band’s post-jazz oomph, Isham Jones’s ballad standard “There Is No Greater Love” (transposed to a minor key) achieves a surprising groove, and Westfall’s “Song for Harry Potter” is a dark waltz. Westfall, bassist Dan Loomis, and drummer Jared Schonig create a language flexible and distinct enough to contain multitudes.

THE WEE TRIO | Lily Pad, 1353 Cambridge St, Cambridge | October 17 at 7 pm | $10 | 617.395.1393 or www.lily-pad.net
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ARTICLES BY JON GARELICK
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  •   GETTING THE STORY  |  December 01, 2009
    Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York axis of musical development, I usually bog down somewhere outside Chicago.
  •   ERIK DEUTSCH | HUSH MONEY  |  November 25, 2009
    Having played in projects from jam bands to jazz and as a singer-songwriter accompanist, keyboardist Erik Deutsch led an acoustic jazz album for his debut.
  •   MIXED MEDIA  |  November 18, 2009
    Film noir has been a running theme in composer/pianist Ran Blake's work since the beginning of his career — his very first album, The Newest Sound Around (RCA, 1962), with singer Jeanne Lee, began with David Raskin's theme to Otto Preminger's Laura .
  •   LIVE AND ON RECORD  |  November 04, 2009
    To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.
  •   HENRY THREADGILL ZOOID | THIS BRINGS US TO, VOLUME 1  |  October 28, 2009
    Henry Threadgill has been reinventing his language — and by extension the jazz language — for at least 30 years, beginning with the trio Air in the 1970s.

 See all articles by: JON GARELICK

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