CD Reviews

Doom | Born Like This

Lex (2009)

By ANDREW GRAHAM | April 21, 2009

3.0 Stars

It's been more than three years since the infamous masked rap anti-hero Doom dropped an album — a long time for any musician, and an eternity in the mercurial, often fickle world of hip-hop. Doom's familiar trademarks are all here: his velour-smooth voice, the abstract lyrical constructions that come to life when scrutinized, the comic-book bad-guy posturing. And then there are the beats.

Much of his notoriety owes to his lo-fi and (in theory) bush-league production style. Over the years, his scruffy loops — sampled from saccharine '80s quiet-storm R&B records and laced with clipped, almost sterile snares and kicks — have proved to be as distinctive as his flow. Largely a solo effort, Born Like This does include production and guest verses from both new and known co-conspirators. Doom's album-length collaborations have proved stellar in the past (Madvillainy, Vaudeville Villain); these one-offs, however, are less rewarding.

"Ballskin" sounds like little more than a semi-tactful replication by producer Jake One of De La Soul's new-era classic "Rock Co.Kane Flow" (which Doom guested on). And Empress Stahhr's verse doesn't add much beyond a female approximation of Doom's own vocal style. Still, the return of this villain is a welcome one.

Related: Get sprung, Wu-Tang Clan's essential flavor, Main man of Mattapan, More

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Wu-Tang Clan's essential flavor
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Ol' Dirty's dirty side
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Ivory and ebony
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Fresh legends
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I e-mailed but you're still not calling. (I left my cell, my office, and my home number at the bottom.) You must not have got 'em; there must have been a problem with your servers or something.
Donwill | Don Cusack In High Fidelity
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ARTICLES BY ANDREW GRAHAM

DOOM | BORN LIKE THIS | April 21, 2009
It's been more than three years since the infamous masked rap anti-hero Doom dropped an album — a long time for any musician, and an eternity in the mercurial, often fickle world of hip-hop.

ROOTS MANUVA | SLIME AND REASON | October 15, 2008
The richest fruit of British rap’s gestation period is the growing catalogue of Roots Manuva.

DAVID BANNER | July 22, 2008
It would be a stronger statement if it weren’t for the conflicting cornerstones of conscientious-rapper soapboxing and standard-issue gangsta themes he’s laid at its foundation.

CHROMEO | July 01, 2008
It’s no surprise that their sweet sophomore-sleeper-turned-instant-classic is being reissued with extras.

AKROBATIK | February 26, 2008
One of the hallmarks of Akrobatik’s style has always been his sincerity.

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