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Floor show

By MARCIA B. SIEGEL  |  October 1, 2008

The duo developed variations on a walking dance. Their issue seemed to be staying in unison, and Fleddermann Miller counted under her breath to keep track of the steps. Each woman stole moments to drop out or push herself forward. Just as the dance seemed to be winding down, they’d begin a new episode. Miller gestured and twisted for ages while standing on one leg, leaning against Cunningham’s hand. Cunningham sat in a chair but kept sliding down out of it. They joined in a ballet line, a kick chorus. Chugging and heaving, they rested a minute as Miller took off her shirt and waited for the audience to react. The climax passed. They soldiered on together.

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  Topics: Dance , Entertainment, Harvard University, Dance,  More more >
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ARTICLES BY MARCIA B. SIEGEL
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  •   SNACKS  |  November 24, 2009
    The most substantial item in the assortment of dances by the Trey McIntyre Project last weekend was an oddly proportioned 20-minute meditation on climate change and Glacier National Park. McIntyre, whose company appeared at the ICA as part of the CRASHarts series, has gotten a lot of press exposure as an up-and-coming choreographer with serious ideas.
  •   SUSTAINABILITY  |  November 04, 2009
    If you wanted to know what happened at the Merce Cunningham memorial a week ago Wednesday in the Park Avenue Armory, you could get a thousand answers.
  •   DEFINITIONS  |  October 28, 2009
    Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
  •   SUNDAY SCHOOL  |  October 21, 2009
    Ronald K. Brown’s flamboyant choreography comes with a big serving of spirituality.
  •   REQUIEM DETEXTED  |  September 30, 2009
    Mozart's Requiem is one of the most controversial works in the classical repertory. Mozart had completed only parts of it and sketched other parts when he died, unexpectedly at age 35, in 1791. His death ignited immediate speculation and myth.

 See all articles by: MARCIA B. SIEGEL

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