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Funhouse

By GREG COOK  |  October 9, 2008

Lapham’s Perfectly Preserved Seashore 3 is a crusty glued-together nest of sticks, plastic bottles, feathers, a syringe, a hat, and a horseshoe crab shell. Hung on the wall, it toggles between abstract assemblage and realist beach portrait.

And then there’s Deininger’s Angelina Jolie, which is the most astonishing, perverse, horrifying, weird piece of art on view in the region right now. I mean that as a compliment. I think. A shaggy dog lays on the floor, apparently resting. It seems uncannily real, and it is an actual dog body, but a gaping hole in its flank reveals that it’s dead. That’s creepy enough, but nearby lays a damaged baby doll, which next to the dog seems like an eviscerated child. Behind is a card table covered with a seemingly random arrangement of plastic toys and flowers and other junk. But look into the broken mirror on the wall and, abracadabra, all that stuff becomes a portrait of Angelina Jolie. And not a bad likeness. It’s the stuff of amazement, and nightmares.  

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ARTICLES BY GREG COOK
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  •   STRIVING FOR SIGNIFICANCE  |  December 02, 2009
    One of the questions in fine art is how to address the big issues of today, from our wars to global warming.
  •   CLASSIC ROCK?  |  November 26, 2009
    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
  •   MAGPIE AND COPYIST  |  November 24, 2009
    If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttoned right up to the neck and worn with a black vest, and Hawaiian shirts.
  •   AIRING IT OUT  |  November 24, 2009
    New York painter Eve Aschheim has said that she uses geometry in her abstractions "to 'think about' the intersection of nature and cityscape. My works might suggest the chaotic geometry of the city, the expectant stillness of air, the tenuous balance of a wire line against a building."
  •   CHANNEL SURFING  |  November 17, 2009
    In May 1978, Providence police raided the exhibition “Private Parts” at the Electron Movers loft on North Main Street to enforce a then-new state obscenity law.

 See all articles by: GREG COOK

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