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And then, some of the best works of the year were unclassifiable. Summer Stages Dance brought Eiko and Koma, with pianist Margaret Leng Tan, for a performance of Mourning at Concord Academy. The Japanese-American duo drew us into an intense visual and visceral universe where the boundaries separating beasts and vegetation, life and death, intelligence, windstorm, and terror, can no longer be detected.

And in June the Mark Morris Dance Group and Emmanuel Music staged a revival of Henry Purcell's Dido and Aeneas at the Cutler Majestic. In his modern but strangely congenial interpretation of the great Baroque opera, Morris set the characters in formal motion, with the tragic heroine Dido and the malevolent Sorceress who brings about her downfall played by the same dancer. Amber Darragh was superb in both roles.

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Related: Drama manqué, Steps . . . and more steps, Dynamos, More more >
  Topics: Dance , Entertainment, Boston Conservatory, John Hancock,  More more >
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ARTICLES BY MARCIA B. SIEGEL
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  •   SNACKS  |  November 24, 2009
    The most substantial item in the assortment of dances by the Trey McIntyre Project last weekend was an oddly proportioned 20-minute meditation on climate change and Glacier National Park. McIntyre, whose company appeared at the ICA as part of the CRASHarts series, has gotten a lot of press exposure as an up-and-coming choreographer with serious ideas.
  •   SUSTAINABILITY  |  November 04, 2009
    If you wanted to know what happened at the Merce Cunningham memorial a week ago Wednesday in the Park Avenue Armory, you could get a thousand answers.
  •   DEFINITIONS  |  October 28, 2009
    Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
  •   SUNDAY SCHOOL  |  October 21, 2009
    Ronald K. Brown’s flamboyant choreography comes with a big serving of spirituality.
  •   REQUIEM DETEXTED  |  September 30, 2009
    Mozart's Requiem is one of the most controversial works in the classical repertory. Mozart had completed only parts of it and sketched other parts when he died, unexpectedly at age 35, in 1791. His death ignited immediate speculation and myth.

 See all articles by: MARCIA B. SIEGEL

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