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To tell the truth

By BILL RODRIGUEZ  |  January 7, 2009

I mention that Mike Daisy refuses to memorize stories, but rather keeps certain narrative steppingstones in mind while always varying the tale. That brings up the matter of scripting versus improvising. Goldman says that he is still adjusting his delivery on the sliding scale from slick performance to pure spontaneity, veering toward the latter because "if something comes up, I don't want to just ignore it.

"As I get more comfortable with it," he says, "I want to be able to do on stage what I do when I'm telling a friend a story, allowing for digressions."

Others are getting comfortable along with him, with some regulars at the four monthly shows so far. The December theme was about getting lost. Someone told about Eurail Pass experiences at 16 with an older girl she hardly knew. Someone recounted dreams within dreams, telling of a living forest with actual whispers in the wind. Goldman told us about his first disoriented day as a jungle guide. About a dozen people told stories, and hardly a passage was boring.

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Related: Dance Monkey: JR STRAUSS, Dance, Monkey!: Rob Crean, Review: Serbis, More more >
  Topics: Theater , David Sedaris, Rhode Island College, Spalding Gray,  More more >
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ARTICLES BY BILL RODRIGUEZ
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  •   DOING THE RIGHT THING  |  November 24, 2009
    There are plenty of stories that harken back to a Golden Age, but Harper Lee's 1960 novel To Kill a Mockingbird was different.
  •   THE HUMAN CONDITION  |  November 23, 2009
    Kevin Broccoli, the writer and directorial ringmaster, announced before the performance that we were going to see not a play, but rather an experiment.
  •   CAFÉ FRESCO  |  November 23, 2009
    Restaurants come and restaurants go.
  •   MESA CAFÉ AND GRILL  |  November 18, 2009
    Usually there's something special about a neighborhood restaurant, which by definition is as much about community as about commerce.
  •   A NEIGHBORHOOD THEATER IS REBORN  |  November 11, 2009
    It took quite a while, and north of $10 million, but last month the long-closed Park Cinema in Cranston opened as the ambitiously named Rhode Island Center for Performing Arts.

 See all articles by: BILL RODRIGUEZ

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