Because Aliev's choreography is so athletic and acrobatic, it keeps the dancers stretching even more than usual during pauses in rehearsal: leg extensions into splits, a wide turn-out of knees while sitting or lying on the floor. It all comes into play, as Vilia Putrius (as Nurida) takes her turn in a duet with Bauzys, at one point holding onto her toe behind her head with her free leg bent parallel to the first — a human pretzel carried by Bauzys.
Eastern-style gestures of flat palms and angled elbows, air-punching arms, and twisting torsos enliven the large chorus of dancers who surround the principals in many scenes. Despite the non-stop leap-ing, twirling, balancing, and lifting, there's a strong emotional element in this ballet. It's not as much mimed as projected through the urgent pace and demands of the dance itself. Persian-influenced costumes and set (even a magic carpet!) will further entrance audiences and make this a memorable winter evening.
Related:
Mixing it up, Review: Waltz With Bashir, San Francisco treat, More
- Mixing it up
If your exposure to the world of ballet has been limited to The Nutcracker, do yourself a favor and get to the current incarnation of Festival Ballet Providence’s Up CLOSE, on HOPE series.
- Review: Waltz With Bashir
The so-called anti-war-film genre has lately "distinguished" itself with a flurry of Iraq-war flops featuring earnest polemics.
- San Francisco treat
The SF-based Deerhoof performed at the Middle East a week ago Thursday with the amusingly repetitive precision of a puppet show or an assembly of wind-up toys.
- The look of love
Following the acclaim given to Boston-based choreographer Gianni Di Marco’s short ballet Schéhérazade in 2005, Festival Ballet’s artistic director Mihailo Djuric commissioned Di Marco to create another new ballet for the company.
- Best week ever!
Edgy gigs likely to be booked solid
- Mood swing
She is Giselle, the peasant girl of Adolph Adam’s ballet, and she’ll come to the VMA Arts & Cultural Center once again via Festival Ballet Providence.
- Intimate moves
What began as a way to give audiences a closer look at its dancers and choreographers an opportunity to showcase new work has become an integral part of Festival Ballet Providence’s season: the “Up CLOSE, on HOPE” series.
- Save yourselves
The media-propagated notion that the Canadian sextet Fucked Up are "saving hardcore" seems silly.
- Slideshow: Grupo Fantasma live
Grupo Fantasma live at the Middle East
- Photos: The Walkmen
The Walkmen live at the Middle East downstairs, September 18, 2009
- Made in USA
In choosing ballets from three American choreographers for the American Masters program, Mihailo Djuric has looked to two classics and one world premiere.
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Dance
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