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Their back pages

By GREG COOK  |  June 2, 2009

Other artists tap books as a time-tested way of packaging information. Dan Wood wittily, insightfully collects photographs of porta-potties at the 1995 Million Man March. Melissa Pace cuts into an old math text exposing 3D layers of magical geometric diagrams.

A number of the artists arrive at books by way of comics. James McShane's delightful The Watery Part of the World is thick little book about visiting a beach house. It's drawn in a casual, minimalist style, much like cartoonist John Porcellino. Fort Thunder co-founder Brian Chippendale's Galactikrap 2 is a photocopied comic with screenprinted cover about weird outer space encounters. Former Dirt Palace resident Jo Dery's Quietly Sure — Like the Keeper of a Great Secret is filled with brief, mystical, poetic, earthy fairy tales. Paper Rad's Cartoon Workshop/Pig Tales features goofball rainbow stoner fantasies.

For many of these artists, books are a do-it-yourself way of getting their work out. Their bookmaking also often reflects a desire to create art that is more affordable (because it's produced in multiples), more accessible, more humble. You might say they're books as an anti-fine art medium.

Read Greg's blog @ gregcookland.com/journal.

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Related: The moving pictures, Stop the presses, The digerarti, More more >
  Topics: Museum And Gallery , Hieronymus Bosch, Michael Bizon, Michael Bizon,  More more >
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ARTICLES BY GREG COOK
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    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
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    For the majority of us Americans, Iraq and Afghanistan are a series of news-data points — number of Americans killed today, number of car bombs, spending tallies, estimates of civilian deaths.

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