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Numbed by Numbers

By BILL RODRIGUEZ  |  June 9, 2009

Any play on such a subject has us at mass starvation. Why amplify? Piles of bodies are far more affecting when imagined instead of counted. A little accomplishes a lot: tree bark ground into "a kind of flour," a powerful detail here, is diminished next to a mention of dead horses dug up and eaten. Too often, pathos slips into bathos: not only is a girl begging for crumbs at a bread line, but her emaciated collapsed body also is kicked to death by the callous store manager.

Playwright Eliet spent time in Ukraine a few years ago, as a director and a Fulbright scholar. In production information, he tells of a man saying that his grandmother was sent to a labor camp for seven years for stealing seven grains of wheat from the field of a collective farm after harvest. Someday, perhaps the story of that specific woman will be vibrantly imagined by the playwright in a play that shows more than it tells.

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Related: An intriguing trio, Living thing, Embracing humanness, More more >
  Topics: Theater , Entertainment, Performing Arts, Theater,  More more >
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ARTICLES BY BILL RODRIGUEZ
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  •   DOING THE RIGHT THING  |  November 24, 2009
    There are plenty of stories that harken back to a Golden Age, but Harper Lee's 1960 novel To Kill a Mockingbird was different.
  •   THE HUMAN CONDITION  |  November 23, 2009
    Kevin Broccoli, the writer and directorial ringmaster, announced before the performance that we were going to see not a play, but rather an experiment.
  •   CAFÉ FRESCO  |  November 23, 2009
    Restaurants come and restaurants go.
  •   MESA CAFÉ AND GRILL  |  November 18, 2009
    Usually there's something special about a neighborhood restaurant, which by definition is as much about community as about commerce.
  •   A NEIGHBORHOOD THEATER IS REBORN  |  November 11, 2009
    It took quite a while, and north of $10 million, but last month the long-closed Park Cinema in Cranston opened as the ambitiously named Rhode Island Center for Performing Arts.

 See all articles by: BILL RODRIGUEZ

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