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Time Machines

By GREG COOK  |  June 12, 2009

Michalowska was introduced to the glass plate negative collection when volunteering at the library with special collections librarian Richard Ring. "There's a lot of mysteries involved," she tells me. Who took the photos, what they show, and how they ended up in the library's collection are — right now — unclear. (I suggest they post photos online and invite tips from the community.) So the images can feel unmoored in history — a particular frustration in photos like these that tend to be more interesting for what they show than how they show it.

Besides the Corliss photos, a couple shots stick with me. One is a pair of studio portraits of a weathered middle-aged woman. She appears severe, but in one shot betrays a hint of a smile. The negative is screwed up, but wrong in a right way, so that her head seems to emerge like a dream from a black mist. The other shows a large Victorian house that was (is?) around here somewhere. It stands alone, looming over an expanse of dirt road. At the street corner in the foreground, a pole supports wires — perhaps for a trolley line — a sign of the coming growth of the town, a sign of the future.

Read Greg's blog at gregcookland.com/journal. 

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Related: Photos: From century-old glass plate negatives, Censorship for Me, Penelope, Library critics press for more oversight at the PPL, More more >
  Topics: Museum And Gallery , Media, Poetry, Libraries,  More more >
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ARTICLES BY GREG COOK
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  •   CLASSIC ROCK?  |  November 26, 2009
    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
  •   MAGPIE AND COPYIST  |  November 24, 2009
    If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttoned right up to the neck and worn with a black vest, and Hawaiian shirts.
  •   AIRING IT OUT  |  November 24, 2009
    New York painter Eve Aschheim has said that she uses geometry in her abstractions "to 'think about' the intersection of nature and cityscape. My works might suggest the chaotic geometry of the city, the expectant stillness of air, the tenuous balance of a wire line against a building."
  •   CHANNEL SURFING  |  November 17, 2009
    In May 1978, Providence police raided the exhibition “Private Parts” at the Electron Movers loft on North Main Street to enforce a then-new state obscenity law.
  •   NARRATIVE TRUTH  |  November 11, 2009
    For the majority of us Americans, Iraq and Afghanistan are a series of news-data points — number of Americans killed today, number of car bombs, spending tallies, estimates of civilian deaths.

 See all articles by: GREG COOK

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