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Having Malin Akerman play Silk Spectre II and Billy Crudup play Dr. Manhattan — these might be seen as some surprising casting decisions.
Well, with Malin — I mean, she's beautiful, she's got tons of personality, she's just out there. But with Billy, who's pretty intense and he's got his own thing happening, to say that he's gonna be in a superhero movie, that's gonna make people think. And having Billy do Manhattan is just . . . right. Like I said, everything is by design. I mean, I love tone — it's all about that for me. And I love a movie that's self-reflexive. Like Robocop, which does that in a really awesome way. Verhoeven's one of my favorite directors, and with Robocop you can say, "Oh, it's a cool movie about a robot policeman who goes and kicks some ass." Or you can think, "Oh my God! It's an anti-technology movie that's all about man losing touch with his soul."

The sex scene between Nite Owl and Silk Spectre II is pretty great — the boots, the zips. And you've got Leonard Cohen doing "Hallelujah" over it.
Well, I originally had a different version of "Hallelujah" on that scene — it was the version by Alison Krauss, and it was really beautiful. Too beautiful, as it turned out, because when I showed it to my buddies, they were like, "Wow, you really mean this, this love scene." So I was like, okay, that didn't work. But with the Leonard Cohen, in that moment, it's a little sadder of a song, it's a little bit more twisted, it's a little more broken, which expresses to me what's going on in that scene, between those two characters.

So far, the most popular characters seem to be Rorschach and the Comedian — two of the most disturbed people in the movie. Why do you think that is?
Because people are dark fucking dudes, that's why!  

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Related: Review: Watchmen, Anti-depressant cinema, Interview: Alan Moore, author of Watchmen, More more >
  Topics: Features , Politics, Entertainment, Leonard Cohen,  More more >
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Comments
Hallelujah - Allison Crowe
The recording of Hallelujah deemed too beautiful for the scene is by the Canadian rock musician Allison Crowe, and not by the American bluegrass musician Alison Krauss. (Krauss has not performed the song in concert or in the studio.) It's not uncommon for there to be a mix-up between these two artists, likely due to the sound of their names when spoken. Then again, it could be the Led Zeppelin connection. Thanks for the interview! (NB Not sure why my previous comment explaining this was deleted. As manager to Allison Crowe, I was the person who worked with the Warner Bros. team on licensing her version of the song. If you'd rather fix the interview glitch, than have the comment - check with WB or Mr. Snyder if you like.)
By Adrian22 on 03/04/2009 at 11:04:28

ARTICLES BY JAMES PARKER
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