The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
FIND MOVIES
Find a Movie
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

Interview: Lars von Trier of Antichrist

The director on the redeeming qualities of Antichrist
By PETER KEOUGH  |  November 2, 2009

0910_lars_main

Review: Antichrist. By Peter Keough.
For someone who provoked Björk into eating her costume during the making of Dancer in the Dark (2000), who drove John C. Reilly to leave the set of Manderlay (2005) in disgust after he was asked to participate in the butchering of a donkey, and whose most recent film — Antichrist, a gruesome “ ‘He’ said/‘She’ said” set in a forest called “Eden” — has eclipsed torture-porn films in shocking audiences, Lars von Trier seems like an okay guy.

Maybe it’s the blurring effect of the Skype technology through which I’m interviewing him as he sits worried and Buddha-like in his headquarters in Denmark (he has a phobia about airplanes, among other things), but he comes off as shy and vulnerable, like someone recovering from profound depression — which in fact is the case. A couple of years ago, he plummeted into the abyss and said he would make no more movies. As therapy, he wrote Antichrist. It might have helped his mood, but I doubt it will have a similar effect on viewers.

How are you doing today?
[Long pause.] I’m actually okay. Today is an okay day.

Would you recommend making a movie like this as a treatment for depression?
Uh, yeah, well, my treatment was more the work than the subject, if you understand what I mean. Just to get out of bed and do something. So, yeah, I think I would recommend it. I don’t know how many people have the opportunity, you know, to do a film to get cured. There would be a lot of films made.

It's better than Prozac, I imagine.
Prozac is also good. But the problem about Prozac is it doesn’t continue being good, you know? It holds for a couple of years.

Willem Dafoe — and I think you've mentioned this before — plays probably the worst therapist in the history of movies.
First of all, I have been undergoing this cognitive therapy for three years, and I tend to get sarcastic about it. One of the main ideas behind the treatment is that a fear is a thought, and a thought doesn’t change reality. But you can say in the film that it’s changed reality. As for Dafoe, I wouldn’t let him treat her in any other way than with his dick; he has an enormous dick. We had to take those scenes out of the film. We had a stand-in for him because we had to take the scenes out with his own dick.

You had a stand-in dick for Dafoe?
We had to, because Will’s was too big.

Too big to fit on the screen?
No, too big because everybody got very confused when they saw it.

Now you're working on your next film, Planet Melancholia. Is Planet Melancholia a happier place than Eden?
I’m afraid there are no really happy places in my films. Planet Melancholia is a black planet, which is why it can be very close to Earth without being detected. It’s a long story. But it’s not a happier place. I wouldn’t recommend you go to Planet Melancholia.

1  |  2  |   next >
Related: Cannes goods, Review: Paranormal Activity, Review: Antichrist, More more >
  Topics: Features , Entertainment, Movies, Mammals,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: BAD LIEUTENANT: PORT OF CALL NEW ORLEANS  |  November 24, 2009
    Nicolas Cage is at his best in Bad Lieutenant
  •   REVIEW: THE ROAD  |  November 24, 2009
    John Hillcoat doesn't stray from Cormac McCarthy's Road For those who found the Coen Brothers' adaptation of Cormac McCarthy's No Country for Old Men too lighthearted, John Hillcoat's relentlessly faithful version of the author's post-apocalyptic Pulitzer-winning novel might hit the spot.
  •   INTERVIEW: NICOLAS CAGE  |  November 24, 2009
    "When people like to label any kind of performance as over the top, I suggest that if you were to go to the Guggenheim and look at a Francis Bacon, would you call that over the top?"
  •   REVIEW: FANTASTIC MR. FOX  |  November 25, 2009
    In The Royal Tenenbaums and The Life Aquatic with Steve Zissou, Wes Anderson excelled at telling adult stories with childlike whimsy. Telling children’s stories with adult whimsy is another matter.
  •   SWINE FEVER: AN EVENING WITH HUNTER S. THOMPSON  |  November 24, 2009
    Only Hunter S. Thompson could come up with a line like that; no one else had his knack for the near-Biblical proverb. Few writers outside of Madison Avenue or the New Testament can sum up a zeitgeist so cannily in a phrase.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group