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Gordon Goodwin's Big Phat Band

The Phat Pack | Immergent
By JON GARELICK  |  July 11, 2006
2.5 2.5 Stars
060714_goodwin_main1
UNFORTUNATE BAND NAME: The Big Phat Band

From the band name and the title, you wouldn’t be wrong to expect Doc Severinsen and the Tonight Show Orchestra. “Play That Funky Music” with guest alto-saxophonist David Sanborn confirms your worst fears about retro-up-to-the-minute hepness: electrified chunka-chunka rhythms and Sanborn mewling hysterically. And if you like Take 6’s superslick vocal pop, then their guest appearance on “It Was a Very Good Year” will be ring-a-ding manna for you. There’s even a bit of John-Williams-meets-Raymond-Scott whimsy in Goodwin’s “Hunting Wabbits 2 (A Bad Hare Day).” But the jazz soul of the disc is in the arrangements that hark back to the brass-reeds-rhythm big-band template that was invented in the ’20s by Fletcher Henderson and Don Redman and carried right on through Basie, Buddy, Thad & Mel, and more since. That would be the synchromesh change-ups and rubbing of section against section — saxes felt-like or furry, the glassy sheen of trumpets, the cashmere softness of trombones, all finishing one another’s phrases, hefting muscly riffs in counterpoint, breaking for the perfectly timed, perfectly supported, not too long solo. That’s why the title tune goes down as smooth as an up-to-date Basie blues, and why “La Almeja Pequeña (The Little Clam)” engages with its Latin beat, or why “Get in Line” is funk that doesn’t overstay its welcome, or why the good hard walk that takes over the rhythm in the TV-noirish “Whodunnit?” is just about perfect.

On the Web
Gordon Goodwin:
http://www.gordongoodwin.com  

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  Topics: CD Reviews , Entertainment, Music, Jazz and Blues,  More more >
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ARTICLES BY JON GARELICK
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  •   GETTING THE STORY  |  December 01, 2009
    Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York axis of musical development, I usually bog down somewhere outside Chicago.
  •   MISS TESS | DARLING, OH DARLING  |  December 02, 2009
    Boston singer-songwriter Miss Tess has always had the pipes and the taste to carry off her various ventures into country, blues, and multi-hued swing, but Darling, Oh Darling underlines her overall sound.
  •   ERIK DEUTSCH | HUSH MONEY  |  November 25, 2009
    Having played in projects from jam bands to jazz and as a singer-songwriter accompanist, keyboardist Erik Deutsch led an acoustic jazz album for his debut.
  •   MIXED MEDIA  |  November 18, 2009
    Film noir has been a running theme in composer/pianist Ran Blake's work since the beginning of his career — his very first album, The Newest Sound Around (RCA, 1962), with singer Jeanne Lee, began with David Raskin's theme to Otto Preminger's Laura .
  •   LIVE AND ON RECORD  |  November 04, 2009
    To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.

 See all articles by: JON GARELICK

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