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A print apart

Anna Hepler 'flattens' sculptures into woodcuts
Anna Hepler's major works are sculptural installations made from wires and joints that are held together in tension, creating mighty metallic clouds that fill big spaces and change with the light.
By KEN GREENLEAF  |  December 01, 2008
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Loud and clear

The 2008 Foster Prize at the ICA, Adel Abdessemed at MIT’s List Visual Arts Center
Although it's no stretch to say that contemporary artists are eager to say something, the art world has seen its fair share of awkwardly shitty gallery talks.
By EVAN J. GARZA  |  November 26, 2008
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Slideshow: Ski Cover Art Contest

Cover artwork submitted by Bob Maloney's 'Experimental Illustration' class at MassArt
Art submissions for the cover of the Phoenix's Ski supplement
By PHOENIX STAFF  |  November 25, 2008
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Help wanted

‘Anything But Paper Prayers (The Annual Aids Benefit)’ at Barbara Krakow Gallery, ‘Icons + Altars’ at the New Art Center, ‘Annual Holiday Sale’ at Massart
I can’t speak for everyone, but I’d take a painting over a snowflake sweater any day of the week.
By EVAN J. GARZA  |  November 21, 2008
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Never Say Smile

Annie Leibovitz highlights her career
Could there be anyone cooler to have for a photography teacher than Annie Leibovitz?
By CAITLIN E. CURRAN  |  November 19, 2008
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Game show

Who will win the ICA's Foster Prize?
On November 12, the Institute of Contemporary Art opened its biennial Foster Prize exhibit of “Boston-area artists of exceptional promise.”
By GREG COOK  |  November 18, 2008
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Id vicious

The Museum School Art Sale at SMFA, ‘Sex, Drugs and Rock + Roll’ at Steven Zevitas Gallery
Money is a dominant topic of conversation in the art world even when there isn’t a global financial crisis.
By EVAN J. GARZA  |  November 13, 2008
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The great Boston art shakeout

Ten local galleries closed this year. Where are we going?
By September, the Harrison Avenue gallery district seemed to have become a zombie, stiffly stumbling forward, as the citywide exhibit-space upheaval that began this past spring caught up with the neighborhood.
By GREG COOK  |  November 14, 2008
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It's okay to draw with markers

An interview with Chad Verrill of CVIC works
Chad Verrill, 34, makes drawings and prints at his home in Portland, where he's lived since he arrived in 1992 for a short-lived stint at the Portland School of Art.
By IAN PAIGE  |  November 12, 2008
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“Found Footage Festival 2008”

The third incarnation of the FFF may be the best yet
After years of rummaging through Goodwill bins for videotapes, FFF curators Joe Pickett and Nick Prueher have amassed a formidable pile of bizarre ephemera.
By SHAULA CLARK  |  November 11, 2008
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Exposures

Photos from Yousuf Karsh, William Christenberry, and the PRC
In "Karsh 100: A Biography in Images," which is now up at the Museum of Fine Arts, his iconic shots of Winston Churchill, George Bernard Shaw, and Ernest Hemingway are defining portraits of the men in all their crusty manliness.
By GREG COOK  |  November 14, 2008
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Elements + islands

Dennis Pinette's identity is on display at CMCA
Dennis Pinette, who was born in the Penobscot Bay town of Belfast and lives there still, makes completely contemporary paintings whose roots extend back through those epic early days of American painting.
By KEN GREENLEAF  |  November 05, 2008
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Political Andy?

Warhol's court-painter years; plus doodling at the Rose
Was Andy Warhol more politically engaged than he's given credit for?
By GREG COOK  |  November 06, 2008

A hidden gem: RISD’s Nature Lab

Roving Eye
Spend a few minutes browsing RISD’s repository for shells, seeds, skins, and skeletons and you’ll see why — dead or alive — the Nature Lab is one of Providence’s most stimulating settings.
By PHILIP EIL  |  October 29, 2008
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Day by day

A new film examines Marsden Hartley’s life
Everyone has their own Marsden Hartley. That happens with great painters, and Hartley was one of the greatest of 20th-century American artists.
By KEN GREENLEAF  |  October 29, 2008
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Chan we can believe in

Paul Chan at the Carpenter Center, ‘Keeping Time’ at the PRC, Julia Hechtman at Artists Foundation, Inaugural Exhibition at Walker Contemporary
If you’ve visited the Institute of Contemporary Art at any point in the last few years — in either of its physical incarnations — there’s a good chance you’ve seen Paul Chan’s work.  
By EVAN J. GARZA  |  October 29, 2008
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On the move

Andrew Neumann at the Axiom Center, Cristina Toro at LaMontagne Gallery, Taylor Davis at Samson Projects
Boston’s fall art season is in full swing, and contemporary spaces all over the city are eager to follow up on their fall kickoff shows.  
By EVAN J. GARZA  |  November 11, 2008
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Afterglow

Rachel Whiteread’s dollhouse village at the MFA, Erwin Redl’s red-light district at Emerson
The installation is a bit of a shift for Whiteread, who’s best known for making plaster, rubber, resin, or concrete casts of old used mattresses, a staircase, the entire interior of rooms.  
By GREG COOK  |  October 27, 2008
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On what ground?

Greg Parker and Noa Warren at June Fitzpatrick
The experience gap between Greg Parker and Noa Warren makes their joint show at the June Fitzpatrick Gallery at the Maine College of Art all the more exciting.  
By IAN PAIGE  |  October 16, 2008
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Chihuly lite

RISD’s sprawling exhibit could use more ‘wow’
The main problem with “Chihuly At RISD,” on view at the RISD Museum’s new Chace Center (through January 4), is that there’s not enough Dale Chihuly here.  
By GREG COOK  |  October 16, 2008

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