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Books: Word Up - June, 2006

Friday, June 30, 2006


Updike. Bah.


Full disclosure: I didn't go to Updike's reading last night at the Unitarian Church. I wish I'd been able to, if only to see if observing the old man live would've changed my mind about him and his work. Because Sharon digs him bigtime and I'm one to respect her tastes and, I'll admit, when I heard her full-force endorsement the question glimmered across my mind: have I been missing something?

But my sense is that seeing his white hair and red face, hearing his WASPy drawl only would've amplified my Updikean aversion.

Why don't I like him? I'm not a 53 year old divorcee from Concord, for one thing. But that's the reductive answer. I can appreciate the fact that the dude can write. No doubt. "A&P"? Classic. "In walks three girls in nothing but bathingsuits"? Gimme a break -- unbelievable first sentence. He nailed it there, shoots the iron right up your spine. But the rest of it, I chalk off to generational differences. There's something stale about it, something too much of my parents, and something pathetic, too, in the old man re-imagining his high school lustings.

And in terms of sex, I was interested to read that he brought up Jonathan Safran Foer at last night's reading when asked if he'd read any other 9/11 novels. (He referenced Safran-Foer dismissively, according to Sharon, unable to recall the title of his book, one that he actually reviewed, at length, in the New Yorker.) I'll admit, I'm a sucker for Saffy-Fo, and it was Updike's review of Extremely Loud and Incredibly Close that confirmed my distaste. The review was not without merit. When he writes about the book's "graphic embellishments," he's dead on: "Over all, the book’s hyperactive visual surface covers up a certain hollow monotony in its verbal drama."

But the thesis of his argument, why he thrashed the book so, was that 8 year-old kids shouldn't be novel protagonists because they're not sexually mature. He writes, "This reader’s heart slightly sank when he realized that he was going to spend more than three hundred pages in the company of an unhappy, partially wised-up nine-year-old. The novel, traditionally a mirror held up to the Western bourgeoisie, to teach its members how to shave, dress, and behave, has focused on adult moral choices and their consequences . . . However sensitive and observant, the ordinary child lacks property and the capacity for sexual engagement; he exists, therefore, on the margins of the social contract—a rider, as it were, on the imperatives and compromises of others."

This reader finds that thesis a little self-serving and a little dated. And I bet that's exactly how I would've found the man himself last night.      

 


6/30/2006 5:22:56 PM by Nina | Comments [1] |  


A Constellation of Events


 

John Updike is totes one of the smiliest old dudes I’ve ever seen. He has this really nice countenance that doesn’t even betray the fact that he’s been an amazing taste-maker for my beloved New Yorker and kickass critic and short-story phenom and literary mega-star. And I’m pissed that critics have been shitting all over him. Enough already! Guy wrote 22 books! Did you? No, you did not, Mr. Nasty Washington Post book critic. FYI, John’s got a face as red as a lobster (I wonder if he tries tanning to draw attention away from the fact that he’s mega-old?) and a blindingly white mop of hair.

 

The Harvard Book Store hosted his reading last night at the First Parish Church in Cambridge, and even though the place was absolutely stifling (what, Unitarians can’t have air-conditioning?), Johnny boy was super formal in his mustard-yellow blazer, khakis, and what looked to be a very expensive silk blue tie. When he sat down to sign books, though, he let things get a little crazy and took off the jacket. Yowzah!

 

The reading itself was old-fash and formal as well, which was kind of refreshing considering lately, they can become more of a rambling Q&A session that allows the audience to jabber and hear themselves talk — instead of an opportunity for the writer to actually, you know, read from their work. Which Johnny did. He busted out three separate passages from his newest novel, Terrorist, which I’ve already tried to pimp out below. I haven’t started reading it yet, but from what I heard during his story-time, I think I’m going to like this one. That isn’t surprising, since I like anything and everything he writes. Thank you, king of suburban miseries. I am so grateful that being the product of an unhappy suburban adolescence resulted in a backlash of Updike worship, instead of something much worse, like, I dunno...an addiction to Sweet Valley High? Oh yeah, that happened. Whatever, you read them all too. (And for the record, Elizabeth sucks.)

 

Anyway, John was all about reading in a venue right across the street from his alma matter. Actually, he wasn’t. He called it both disconcerting and wonderful.

 

There was a brief Q&A period where an HBS employee moderated. People passed up index cards with questions, which eliminated the whole raise-your-hand-stand-up-be-all-nervous-cause-you’re-asking-a-literary-god-a-question...OMG OMG it’s John Updike, what the fug do I ask him, wait, it’s okay he’s a real person-stomach-churn. Or was that just me? Also, what a relief to not have to listen to any of the oldsters in the audience lapse into any long-winded tales about how they totally identify with the Rabbit or Bech or whoever. So yeah, here’s what John boy said:

 

1. His book isn’t a 9/11 novel. It’s a novel about the post-9/11 world where terrorism still happens, straight up.

2. No, he’s not a Muslim, and no, he is not 18 anymore, but he can still imagine what it might feel like. Thus, his protagonist, Amad.

3. You have to really care about your characters before you sit down to write them. Then, your readers will care too.

4. Jonathan Safran Foer goes for “cute titles, and more power too him.” (I hated Extremely Loud and Incredibly Close).

5. Kids don’t read enough these days. Well, duh! They’re too busy watching America’s Got Talent.

6. John has a computer, which he “composes” on, but he isn’t hooked up to the InterWebber. And he doesn’t read blogs, because bloggers aren’t craftsman, they aren’t wordsmiths, and he is, so shut up: “It’s like giving just anyone a pen and a notebook and seeing what they come up with.” Holler!


6/30/2006 12:18:09 PM by Sharon | Comments [1] |  




Wednesday, June 21, 2006


Rabbit, Run


Despite some terrible reviews, John Updike’s The Terrorist is selling better than any of his novels have in quite awhile. The Wall Street Journal reports that six reprints take The Terrorist to 118,000 copies, which puts Updike on at least seven bestseller lists. This, after an LA Times reviewer likened the book to "paint-by-numbers angst."


Updike who has published twenty-two novels and has been a New Yorker contributor for, oh, half a century will be reading at the First Unitarian Church in Cambridge on Thursday, June 29 (sponsored by the Harvard Book Store). Tickets are $25 and include a first edition. Worth every penny, in my opinion. But Word Up is split on the value of this one: Nina hates his guts, and I sometimes sleep with a tattered copy of Pigeon Feathers under my pillow. I just don't think that anyone writes about religion, suburban sex scandals, and the world crashing in on you with as much lyrical grace as Updike. Does this explain why someone once gave me a copy of 14,000 Things to Be Happy About, by Barbara Ann Kipfer, for my sixteenth birthday? Perhaps. It's this sickening, chunky gift book and basically a glorified list of inspirational gems that I guess are used to inspire positive thinking. Flannel sheets. Making faces at monkeys at the zoo. No. I'd rather read about the dissolution of the American family, thanks.

 

If you're not familiar with Updike's work, please drop everything and read "A&P," one of his excruciatingly good short stories. The thing has been anthologized nearly everywhere, so you may have come across it before. Still, this kind of stark, human observation never, never gets old. Unlike Updike himself. I absolutely adore the fact that he used a boxing metaphor to describe how he feels about his current book tour. (His publisher, Knopf, figured his celebrity would help sell more books. And it looks like they were right.) The man might pushing 75 and looking pretty peaked these days, but it's no surprise to me that he's willing to take the pain and get the figurative shit kicked out of him by critics and gawkers alike.

 

“It’s something I discovered I can do. It’s like Muhammad Ali, who towards the end of his career discovered he could take a punch. I can take the punch of a book tour, although it’s not over, and I might be on the mat before you know it.”

 

   VS.  

REVIEWS: Boston Globe, CS Monitor, and NYTBR.


6/21/2006 3:13:24 PM by Sharon | Comments [1] |  



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On The Phoenix's books blog, we obsess over literature so that you don't have to. Reviews, readings, news, and literary gossip. Levar Burton might not have wanted you to take his word for it. But we do.

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