Queen LatifahTrav'lin Light | Verve  December 31,
2007 12:11:17 PM
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Queen Latifah is never going to be Billie Holiday or even Macy Gray, but 2004’s surprise hit, The Dana Owens Album, proved she had a set of pipes. Trav’lin Light, her second set of standards and first recording for Verve, vindicates the rapper-turned-actress-turned-diva from any lingering charges of crossover pandering; she’s obviously as serious about this as any of her other pursuits. Abetted by a small army of producers and support players, Latifah croons her way through tunes by Antonio Carlos Jobim, Nina Simone, Peggy Lee, and the Pointer Sisters respectfully, enthusiastically, and competently, albeit not particularly distinctively. Stevie Wonder’s harmonica on “Georgia Rose” is so immediately identifiable that it threatens to steal the vocalist’s thunder, and Latifah’s foray into Motown territory, Smokey Robinson’s “What Love Has Joined Together,” would have been a buried Tammi Terrell B-side had Latifah been working for Berry Gordy. But her blues is formidable on Simone’s “I Want a Little Sugar in My Bowl,” she swings like crazy on the Sarah Vaughan vehicle “I’m Gonna Live Till I Die,” and the über-production of the Impressions’ “Gone Away” justifies the Queen-sized vocal Latifah brings to it.
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