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DeCordova looks ahead with Andy Goldsworthy and Ursula von Rydingsvard
Museum And Gallery
Painting the end of the world - side
By
| February 1, 2006
Slideshow: selected paintings from Dana Schutz
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Cannibals and castaways
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Ill wind
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Painting the end of the world
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Cannibals and castaways
Dana Schutz flirts with the ugly, considers our condition, pictures the unimaginable, and uncovers what some might prefer left under a rock.
Ill wind
In the muddy rusty autumnal scrub, a fox, who could have been imagined by Richard Scarry, sits on a log and a smiling rabbit lies in brambles.
Painting the end of the world
Back in 2001, the artist Dana Schutz had the deliciously harebrained idea to paint “The Last Man on Earth.” She named him Frank.
Mortification of the flesh
“Global Feminisms” at Wellesley College’s Davis Museum could be one of the most important exhibits of the year.
Bodies and souls
Preserved flayed corpses at the Museum of Science, Americans in Paris at the Museum of Fine Arts, underground art at the Rhode Island School of Design Museum, beavers at Mass College of Art — it was that kind of year, capped off by the arrival of the new Institute of Contemporary Art.
Connected
In 2004, AS220's StinkTank put out a paper titled "Compost and the Arts."
Review: The Art Of The Steal
Henri Matisse once declared the Barnes Foundation "the only sane place to see art in America."
They’re crafty
While each of the artists exhibiting at ICON this month is stylistically distinct and refined, the relationships between the work of Joe Kievitt, Meghan Brady, and Andrea Sulzer provide a welcome cohesion, and a unique peek into the practice of three individual artists who have a dialogue outside the gallery.
Review: The Edge of Love
John Maybury evoked the genius of Francis Bacon in Love Is the Devil , but he goes off the deep end with this ludicrous soap opera about Dylan Thomas.
‘Beings’ there
In the front window of Stairwell Gallery sit Leif Goldberg’s life-sized coyote-man marionette and some of Erin Rosenthal’s Garbage Dancers .
What’s in a name?
The discovery that we’ve had Lane’s name wrong since at least 1913 has prompted questions about what else scholars have gotten wrong about him.
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Alex Lukas’s post-apocalyptic landscapes, plus the New Topographics of Barbara Bosworth and Stephen Tourlentes
Alex Katz’s MFA retrospective is no abstraction
SLIDESHOW: ''Alex Katz Prints'' at the MFA
Photography ‘In Character’ at the Addison
Matt Rich and Zoe Perry-Wood
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