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Photos: Shepard Fairey in Harvard Square

By GREG COOK | October 30, 2008

Shepard Fairey in Harvard Square
October 20, 2008
Photos by Greg Cook

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Radical chic
“The gallery system relies on supply and demand, and I created a demand for my work by doing street art.”
Interview: Shepard Fairey
"Denver wasn't great because I literally had a gun pointed at my head for putting posters up at the DNC."
Slideshow: Chunky Move at ICA
The Australian troupe Chunky Move performed its 2004 work I Want to Dance Better at Parties at Boston’s Institute of Contemporary Art from March 27 to 29.
More

Radical chic
“The gallery system relies on supply and demand, and I created a demand for my work by doing street art.”
Interview: Shepard Fairey
"Denver wasn't great because I literally had a gun pointed at my head for putting posters up at the DNC."
Slideshow: Chunky Move at ICA
The Australian troupe Chunky Move performed its 2004 work I Want to Dance Better at Parties at Boston’s Institute of Contemporary Art from March 27 to 29.
Photos: Shepard Fairey, Z-Trip, Chuck D at the ICA
Shepard Fairey spins at Obey Experiment REDUX at the Institute of Contemporary Art in Boston
Review: Shepard Fairey + Z-Trip + Chuck D
So Shepard Fairey actually made it this time. No insane, last-minute sting operations by Boston cops lurking just off the ICA’s property line. But also: no grand dramatics, either. (Like, he totally could have parachuted through a shattered skylight. In slow motion.) Fairey just showed up and did his thing.
This must be the place
It is a place so confident, so much an institution, as to presume to call itself by its last name. When someone says they’re going to the Square, nobody expects them to turn up at the Statler Building in Park Square or under the CITGO sign in Kenmore Square or in Elmer N. Buswell Square.
Cambridge author Caleb Neelon traces graffiti's hidden history
'TAKI 183' SPAWNS PEN PALS, announced the headline in the July 21, 1971, New York Times .
Year in Art: Beyond the gloom
The Boston art scene felt muted for much of 2008, with 10 galleries closing and the death of two local icons: Harriet Casdin-Silver and Jules Aarons.
Video vérité
Javier Téllez's 2007 black-and-white film "Letter on the Blind, For the Use of Those Who See" starts with a catchy premise: he gathered six blind New Yorkers at an empty public pool in Brooklyn to act out the fable of the blind men and the elephant.
Art in the air conditioning
From Picasso to William "Shrek" Steig's cartoons, and surfer photos to a Twilight Zone toy store, New England offers art worth traveling to this summer. Here we round up the best in the region, no matter the weather or your artistic inclinations.
Alternative universe
In the 1930s and '40s, Boston painters developed a moody, mythic realism. They mixed social satire with depictions of street scenes, Biblical scenes, and mystical symbolic narratives, all of it darkened by the shadow of the Great Depression and World War II.
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Topics: Museum And Gallery , Harvard Square , Harvard Square , Institute of Contemporary Art , More

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ARTICLES BY GREG COOK

NANCY HOLT LOCATES THE COSMOS | February 14, 2012
Holt is part explorer, part surveyor, part hippie/New Age dreamer. And this thorough survey of her art from 1966 to '80 shows her finding her way to becoming one of the pioneers of the "Land Art" or "Earthworks" movement.

‘VALENTINED’ SHOWCASES GEEK LOVE AT CRAFTLAND | February 08, 2012
These missives don't have the swooning, steamy, bodice-ripping passion of romance novel covers.

‘TAOIST GODS’ AND ‘IMMORTALS’ AT BROWN AND RISD | January 31, 2012
As China marked the beginning of the Year of the Dragon with lion and dragon dances and fireworks last week, Brown University's Haffenreffer Museum of Anthropology was debuting "Taoist Gods from China: Ceremonial Paintings from the Mien".

THE DECORDOVA BIENNIAL ROOTS FOR THE HOME TEAM | January 31, 2012
"Contemporary and Boston, Opposites No Longer," a New York Times headline announced in October. It was another alert that $1 billion invested in expanding and endowing local museums over the past decade is paying off in a newly vigorous Boston contemporary art scene.

MYODA AND PENDER IN ‘ILLUMINATIONS’ AT CHAZAN GALLERY | January 24, 2012
Paul Myoda's kinetic sculptures are beautiful and unsettling.

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