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Dust up
Suffice it to say that Leenane is no city of brotherly love.
Gods and monsters
Those who know their Coleridge will recall that: "In Xanadu did Kubla Khan a stately roller-dome decree."
High flying
Hershey Felder's Maestro: Leonard Bernstein (presented by ArtsEmerson on the Paramount Mainstage through May 20) begins with black-and-white footage of its subject lecturing vigorously on Beethoven's Fifth Symphony.
Farewell romance
"All's false in love and war" might be a maxim for Troilus and Cressida.
Eat my brain
Forget the elephant in the room. Depression is a big cat in Tigers Be Still, a relentlessly quirky yet endearing screwball tragicomedy by Kim Rosenstock that debuted at New York's Roundabout Underground in 2010 and is getting a sweet Boston premiere by Zeitgeist Stage Company (at the BCA Black Box through May 5).
Raisin brand
There is more than one way to view A Raisin in the Sun .
Tripping
"Oh, for Christ's sake, Papa! Can't you lay off me!" asks the younger James of the elder as "the four haunted Tyrones" are just beginning to scratch the surface of the emotional spelunking that will become Long Day's Journey into Night .
Secret histories
Jon Marans's The Temperamentals (at Lyric Stage through April 28) begins innocently enough: a first date during which a coy couple engages in some flirtatious back-and-forth and plays footsie under a restaurant table.
All we are saying
It isn't easy to put together a 90-minute musical that includes the Civil War, the birth of computer programming, indie rock, the internal dynamics of Lord Byron's family, mathematical formulas, and writing letters back and forth about an invention that will either save the world or be a precursor to the atom bomb.
Almost blues
For years you could measure the difference between the Huntington Theatre Company and the American Repertory Theater as the difference between August Wilson, the gritty and lyrical chronicler of African-American life, and Robert Wilson, the avant-garde auteur.
Anti-depressant
Well, why not.
Art attack
Fortunately, Elvis Costello's dictum that writing about music is like dancing about architecture doesn't apply to playwrights taking on the world of art, which has been the subtext for three provocative Boston-area plays recently.
I am a camera
Is war correspondence a calling or a kick?
Fight the good fight
Boston Playwrights' Theatre closes out its winter season with DEPORTED / A DREAM PLAY (March 8–April 1; bu.edu/bpt).
Swans song
Confucius might have doubted the wisdom of bringing Wild Swans to the stage.
Beautiful minds
Geniuses have it rough.
Liberal elites
Contained in their haunted-house black humor, Charles Addams's original Addams Family cartoons seemed intended as a sly critique of boring suburbia and an affirmation of quirky, alternative lifestyles.
An ethereal trip to the turn-of-the-century wilds of the South Pole
“Men wanted for hazardous journey, small wages, bitter cold, long months of complete darkness, constant danger, safe return doubtful, honor and recognition in case of success.”
Last supper
"Denmark's a prison," opined Hamlet some 400 years ago.
On track
Fans of J.K Rowling's wizarding empire (read: every man, woman, and child) all remember the moment we were introduced to Cho Chang, the lucky Ravenclaw who gets to paint the town (and do a bit of snogging) with Mr. Potter himself.
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