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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Last Stand
Worth a laugh and a cry
By
PETER KEOUGH
|
July 19, 2006
THE LAST STAND
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2.5
Stars
Russ Parr’s first feature and the opening program of the Roxbury Film Festival begins with every stand-up comic’s nightmare: death. One of the acts from the seedy LA club of the title has jumped from the roof and ended his life on the pavement amid the bad jokes of his peers. Which of the four aspiring stars headlining this rough but resilient tragi-comedy took the plunge? They all seem likely candidates as each embodies a familiar doomed type. Reggie (Guy Torry), trying to prove his disapproving father wrong, finds that taking a nip before show time helps him deal with hecklers. Bo (Todd Williams) battles the negativity of his grasping wife. TD (Darrin Dewitt Henson) has spent time in the joint and overdoes the homophobic material. And DeDe (Tami Roman) hopes to get her big break from a sleazy agent. Their stories take predictable and sometimes surprising turns. Although relying over much on clichés and technical tricks, Parr in the end earns his laughs and his tears.
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ARTICLES BY PETER KEOUGH
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
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Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
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No matter how far he strays, Richard Linklater's heart remains in Texas.
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Though his PR campaign might suggest otherwise, Sacha Baron Cohen has actually made (with director Larry Charles) a sweet movie, not unlike Charlie Chaplin's The Great Dictator , if less sentimental.
REVIEW: THE HUNTER
| May 17, 2012
Apparently extinct since the 1930s, the Tasmanian Tiger resembled an uncanny assortment of mismatched parts from other animals. Daniel Nettheim's film is equally weird and motley.
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PETER KEOUGH
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