The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

The Death of Mr. Lazarescu(1)

Approaches the mythic
By PETER KEOUGH  |  July 31, 2006
3.5 3.5 Stars


THE DEATH OF MR. LAZARESCU: A Kafka-esque parable that approaches the mythic.

Those dismayed by the state of American medicine might take heart from Romanian director Cristi Puiu’s depressing, fascinating, two-and-a-half-hour death watch. Sixty-two-year-old retired engineer Lazarescu Dante Remus (his brother-in-law’s name is Virgil) is burdened not just with a multi-referential name but with a drinking problem, bad health, money woes, and three cats. He wakes up Saturday with a headache and stomach pains, and starting with the judgmental attentions of his neighbors, he descends through the circles of the Romanian health-care inferno. An ambulance takes him to a series of Bucharest hospitals where he’s treated with contempt, annoyance, and indifference but also — especially from the crustily maternal paramedic who is his Chiron — compassion and competence. She’s the only one who tries to cut through the pettiness and vanity; of course she’s ignored. Puiu applies Frederick Wiseman’s style to a Kafka-esque parable; the result, though sometimes excessive, approaches the mythic.

On the Web:
The Death Of Mr. Lazarescu's Web site:
http://www.mrlazarescu.co.uk 

Related: The Death of Mr. Lazarescu, Dark new wave, Doom, gloom and zoom, More more >
  Topics: Reviews , Frederick Wiseman, Cristi Puiu, THE DEATH OF MR. LAZARESCU
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/19 ]   The Addams Family  @ Shubert Theatre
[ 02/19 ]   American Lamb Jam Tour  @ Charles Hotel
[ 02/19 ]   Boston Ballet in "Simply Sublime"  @ Opera House
More Information
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed