The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

The Last King of Scotland

More Hollywood, less human
By PETER KEOUGH  |  February 20, 2007
3.0 3.0 Stars

After watching basically the same stump speech in both All the King’s Men and The Last King of Scotland, I’d have to say that if Sean Penn’s Willy Stark and Forest Whitaker’s Idi Amin appeared on the same ballot, my vote would go to Idi. That choice is likely to come up next year when the members of the Academy vote for Best Actor. Like the man he embodies, Whitaker’s performance bullies, charms, terrifies, and touches. It’s too much for Nicholas Garrigan (James McAvoy), a 20ish Scottish doctor who spins a globe to discover where he’ll try to make his fortune. His finger falls on Uganda, where he finds himself in a bush hospital battling intractable misery until Amin taps him to be his private physician. Lulled by cars, sex, and power, but mostly by Amin, he remains silent while 300,000 die. Director Kevin Macdonald takes liberties with Giles Foden’s fine novel, making it more Hollywood and less human. This Idi’s appeal prevails, but his evil is lacking.

On the Web
The  Last King of Scotland's Web site: http://www2.foxsearchlight.com/thelastkingofscotland/

Related: Hollywood Babel on, Off with their heads, Born again, More more >
  Topics: Reviews , Celebrity News, Entertainment, Movie Stars,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/18 ]   "Boston Facial Hair Fiasco!"  @ Church of Boston
[ 02/18 ]   Cuffs + Woollen Kits + Headband  @ Plough & Stars
[ 02/18 ]   The Ducky Boys + Hudson Falcons + Energy  @ Great Scott
More Information
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed