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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
A Good Woman
Rating: 2 stars
By
CHRIS WANGLER
|
February 2, 2006
A GOOD WOMAN
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2.0
Stars
The past catches up with an ageing seductress in Mike Barker’s flaccid version of
Lady Windermere’s Fan
, Oscar Wilde’s classic comedy of manners. Newly arrived in Amalfi, Lady Erlynne (Helen Hunt) jumps into an affair with a young businessman who turns out to be married to her long-lost daughter, Meg Windermere (Scarlett Johansson). Keeping her identity under wraps, but finally ready to be “a good woman,” Erlynne almost ruins her own fortunes to prevent Meg from cheating on her husband in retaliation. Although Wilde’s tasty one-liners still crackle (e.g., “We are all in the gutter, but some of us are looking at the stars”), you wonder whether this superfluous genre exercise, which includes far too many bored British playboys, wouldn’t have worked better in the stuffy confines of Victorian London, its natural habitat, and with no Americans whatsoever. Please God, let this be the last period piece for ScarJo.
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The war games
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Wilde thing
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No alibi needed
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The war games
The Cry of the Reed seems torn from some particularly gruesome headlines: kidnapping, beheading, such stuff as Daniel Pearl’s final dreams were made on.
Wilde thing
Kaufman has revitalized the staged docudrama with imagination and arrow-swift directness, and 2nd Story Theatre is demonstrating just how that looks.
No alibi needed
Earnest also boasts one hell of a big, imperious foil of British womanhood.
Where are the movies on the war in Iraq?
Oscar Wilde might have called 9/11 “the day we dare not speak its name.” He would have been correct, at least, that we dared not speak its name to make a buck — until now.
Not about heroes
Guns and cocoa butter are the subjects of George Bernard Shaw’s 1894 Arms and the Man , the first of the great Irish contrarian’s “Plays Pleasant.”
Dead ringers
The Doublemint Twins in The Parent Trap would not be out of place on Berkshires stages this week.
The importance of being Ridiculus
You wouldn’t think that an effective way into the heart of Oscar Wilde’s The Importance of Being Earnest would be to play down the comedy’s slapstick farce, stentorian wit, fast pacing, or romantic heterosexuality.
Trivial pursuit
It's difficult to put on an awful performance of Oscar Wilde's The Importance of Being Earnest .
Serious business
Playwright and director Moisés Kaufman likes to say that Oscar Wilde was the first performance artist.
Power play(1)
At this time of renewed political idealism in the country, director Judith Swift has labeled the London setting of An Ideal Husband , at the Gamm through December 7, as "inspired by the 19th century, set in the 20th century, reflected in the 21st century."
Music and fashion
Since it turns out that the Evil Empire actually does suck this year, let’s start this summer preview off with Joe Boyd’s famous Faustian bargain
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ARTICLES BY CHRIS WANGLER
REVIEW: CRANK: HIGH VOLTAGE
| April 21, 2009
Chinese triads. Corey Haim. Porn actors on strike. REO Speedwagon. Yes, the creators of this nearly unwatchable sequel will use anything to achieve their twisted goal: to shock ADHD teenagers.
REVIEW: SUNSHINE CLEANING
| March 18, 2009
What lifts this tasty little dramedy above Sundance mediocrity is a pathos that overcomes all the "quirky" dysfunctional contrivance.
REVIEW: PUSH
| February 11, 2009
Teens with special powers? A government conspiracy?
REVIEW: CHANDNI CHOWK TO CHINA
| January 13, 2009
Director Nikhil Advani's quirky Chinese-Indian collaboration is the widest release ever of a Bollywood film, and the first ever kung fu Bollywood comedy.
CADILLAC RECORDS
| December 12, 2008
Cadillac Records writer/director Darnell Martin lets the music speak for itself
See all articles by:
CHRIS WANGLER
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