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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Chlotrudis Short Film Festival
A well selected bunch
By
RICHARD BECK
|
February 28, 2007
CHLOTRUDIS SHORT FILM FESTIVAL
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2.5
Stars
KILLING ME SOFTLY: "Forgetting Betty"
The sight of
Murderball
at #20 on the Chlotrudis Independent Film Society’s Top 100 Documentaries list would put anyone in a suspicious frame of mind, but the 11 entries in the society’s 2006 Short Film Festival are a well selected bunch that range from Chekhovian revelations of the everyday to exercises in narrative stillness. There’s a little bit too much of the whole “Don’t be scared! Fall in love!” thing going on, however (Byran Nest’s “ ’Til Death Do Us Part” and Sean Ashcroft’s annoying “The Story of Bubbleboy”), and the influence exerted on impressionable youth by the
Amélie
soundtrack (quirky accordions and bells) pervades too many entries. But then there’s James Anderson & Robert Postrozny’s softly heartbreaking “Forgetting Betty.” The real highlight, though, is Nick J. Palmer’s thriller “Sounds,” a nine-minute wrecking ball of suspense and narrative economy. Someone please give this guy money.
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Oscar Nominated Shorts
Do these live-action and animated shorts really represent the best of the year?
Freeport senior is a young Renaissance Man
Last fall, Freeport high-schooler Kevin Henthorn’s The Art of Walking won the Film of the Year award in the Phoenix’s Maine Short Film Festival.
Mixed Media at the Papercut
Last Saturday's mixed-bill affair at the Papercut Zine Library was a strange hybrid of contemporary salon, multimedia talent show, and impromptu modern-dance class (with instructions to move our bodies "like fire").
Flickers
The hour's worth of film and dance that followed my absurdist journey offered flashbacks, edges, mysterious messages, and a thunderstorm. In 1924, Tristan Tzara described Dada as a resistance to the pretensions of art, "a snow of butterflies released from the head of a prestidigitator." I left Inman Square feeling energized.
The Ingmar imbroglio
There hasn’t been such a stir among film critics for years.
The Best of Ottawa 2005
Animated shorts — at least the ones assembled for the MFA’s three-part animation program — tend toward the macabre.
Screenings + seminars + ScriptBiz
Now celebrating its 10th anniversary, the Rhode Island International Film Festival has developed quite a reputation as a particularly filmmaker-friendly festival.
The First-Ever Portland Phoenix Short Film Festival
We weren’t really sure what to expect when we first came up with the idea of having an evening of short films as a way to highlight the work of local moviemakers.
Local color
Michael Corrente will be presented with the Creative Vision Award for his influential and ambitious work next week at the 10th Annual Rhode Island International Film Festival.
Creative manifesto
"Is it fair to say we're a Marxist city in spirit if not law?"
Cinemania
It may be in Little Rhody, but the 11th Annual Rhode Island International Film Festival is the biggest film festival in New England.
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ARTICLES BY RICHARD BECK
PLUCK AND DETERMINATION
| March 09, 2010
People have always thought that Joanna Newsom was indulgent. At first, it was about her voice — the kind of nasal yelp that usually keeps a performer from getting on stage at all. Then, on her second album, it was about her vocabulary and her instrumentation.
SONG OF HERSELF
| August 05, 2009
"Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
DJ QUIK AND KURUPT | BLAQKOUT
| June 15, 2009
LA hip-hop has two threads, and DJ Quik pulls both of them. The first is g-funk, a production style that relies on deep, open grooves and an endless parade of funk samples.
FLIPPER | LOVE
| May 26, 2009
Flipper formed in San Francisco in 1979, and they're remembered three decades later because of a song called "Sex Bomb" that's one of the funniest pieces of music I've ever heard.
ST. VINCENT'S ACTOR GETS A RUN-THROUGH
| May 26, 2009
There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.
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RICHARD BECK
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