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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Final Destination 3
2.5 stars
By
BRETT MICHEL
|
February 9, 2006
FINAL DESTINATION 3
" alt="photo of 'FINAL DESTINATION 3'">
2.5
Stars
If your moviegoing destination lies in the vicinity of guilty pleasures, then you’ve probably visited David R. Ellis’s
Final Destination 2
, the 2003 horror sequel that eclipsed the 2000 original’s conceit that death can’t be cheated and has a nasty sense of humor. Rube Goldberg fans could appreciate the use of household items as inspired instruments of extermination. More to the point, the misdirection of audience expectations elevated the thrill quotient. But series creators Glen Morgan and James Wong (of
X-Files
fame) don’t live up to expectations in this third run through of giddy teens trying to escape visions of diabolical doom. The opening roller-coaster disaster lacks the visceral thrill of the earlier films’ plane and car wrecks, and though things improve (if not for the doomed characters, headlined by Mary Elizabeth Winstead and Ryan Merriman), giving fans the grisly carnage they crave, perhaps this third trip should be final.
Related
:
Review: The Final Destination
,
Wing walking
,
Snakes on a Plane
,
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Review: The Final Destination
David R. Ellis, who helmed Final Destination 2 , pretty much reworks the exact same shebang here.
Wing walking
David Ellis, Chuck Webster, and Yuri Shimojo sat down with the Phoenix to discuss their new installation at SPACE Gallery.
Snakes on a Plane
I don’t know who had more fun at this Frankenfilm’s first showing: a fellow critic (who was frequently stomping his feet), the audience (who were frequently on their feet), or myself (my feet planted firmly in my mouth for ever doubting this film would fly). Watch the trailer for Snakes on a Plane (QuickTime)
Retroperspective
Rare are the instances of true interdisciplinarity in exhibitions of contemporary art-moments where disciplines meet, mix, and couple to produce offspring that belong to neither field and set off on their own in search of even wilder mates.
Apocalypse now and then
With Snakes on a Plane and World Trade Center opening on the same day, this summer won’t be offering the usual escapist fare.
Foo!apalooza
What began life as the comparatively modest Fool’s Ball has mutated into an unruly (but lovable) behemoth.
Treasured trash
“Lost and Found,” now showing at the June Fitzpatrick Gallery at the Maine College of Art in Portland, is worth stumbling upon.
Perspectives
It happens only every three or four years rather than annually, so “Faculty Exhibition 2007” at Brown University’s David Winton Bell Gallery is bound to catch our attention.
Cap and trade explained
The general idea behind cap and trade is pretty simple: put a tax on pollution, and the market will crank out less of it. But if a pollution tax is a lever, cap and trade is a vast, rickety Rube Goldberg contraption. Ingenious? Yes. Complicated? Fiendishly.
Review: Dragonball Evolution
Only traces of the original plot remain: evil alien Piccolo (James Marsters) still fights to collect all seven dragonballs to summon a dragon that will grant one wish.
Pat Metheny | Orchestrion
The “orchestrion” is a Rube Goldberg-like contraption that empowers Metheny in one-man-band format to trigger a variety of percussion and other instruments as he plays guitar.
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Watch the trailer for
Final Destination 3
(QuickTime)
ARTICLES BY BRETT MICHEL
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| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
REVIEW: JIRO DREAMS OF SUSHI
| April 04, 2012
Eighty-five-year-old Jiro, with his unchanging expression and bald pate, resembles a wizened turtle. Leaving home at age 9 and forced to fend for himself, he would become the world's greatest sushi chef.
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BRETT MICHEL
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