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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Beyond the Gates
It's weepy on the other side of the fence
By
BRETT MICHEL
|
March 29, 2007
BEYOND THE GATES
2.0
Stars
VIDEO: Watch the trailer for
Beyond the Gates
.
As the end credits roll on Michael Caton-Jones’s film, the latest to deal with the Rwandan genocide, it’s hard not to tear up. We’re shown image after image of the production’s crew members accompanied by text detailing terrible personal losses, and the empathetic realization dawns that these are actual survivors of April 1994’s horrific slaughter. If only the film itself had presented their plight in more than two dimensions. Instead, its subject is White Man’s Guilt, as represented by Joe Connor (Hugh Dancy), a naive young idealist teaching at the École Technique Officielle, a secondary school in the Rwandan capital of Kigali. Filming at the actual location is undercut by the use of fictional characters; even so, John Hurt brings moral verisimilitude as Father Christopher, the school’s headmaster. Although more dignified than Caton-Jones’s
Basic Instinct 2
(what wouldn’t be?),
Beyond the Gates
is nearly as languid.
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,
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,
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Spring loaded
It’s spring, and Hollywood has to get the kinks out of its system before it can focus on the business at hand: the sequels of summer.
Squeezing Sudan
Portland-based members of the Fur tribe, one of the largest Sudanese tribes, are trumpeting legislation which they hope will help end killing an ocean away in Africa.
God Grew Tired of Us
Back in the ’80s, long before Darfur became a word linked with genocide in the Western media, the Islamic north waged a bloody campaign against the Christian farmers. Before there was darfur: Around the world. By Tom Meek.
Remembrances
“Out of Darkness” worked under the assumption that remembered pain can be translated into effective stage action.
Diamonds in the rough
In 1941, 27-year-old Polish Jew Meyer Hack was deported to Auschwitz along with his mother, two sisters, and brother.
Letters to the Portland editor: July 6, 2007
It is not easy being a US citizen with a conscience.
Essence of place
He spoke about his process creating public interventions, walking the audience through one of his best known projects, one concerning the genocide in Rwanda.
Sisters In Law
Genocide, famine, injustice — that’s what we’ve come to expect from documentaries about Africa.
Left behind
SPACE Gallery’s annual Human Rights Watch Traveling Film Festival, now in its sixth year, is the rare local film event as essential to movie buffs as it is to concerned citizens.
The Mormonator
Political dynasties are as American as apple pie.
Ordure in the court
“He couldn’t be a terrorist, living in a cellar and eating canned food,” says a perceptive friend of the notorious French attorney Jacques Vergès.
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,
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More
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,
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,
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ARTICLES BY BRETT MICHEL
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
REVIEW: JIRO DREAMS OF SUSHI
| April 04, 2012
Eighty-five-year-old Jiro, with his unchanging expression and bald pate, resembles a wizened turtle. Leaving home at age 9 and forced to fend for himself, he would become the world's greatest sushi chef.
See all articles by:
BRETT MICHEL
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