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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Condemned
A sleeper hold even Stone Cold can't break
By
TOM MEEK
|
April 25, 2007
THE CONDEMNED
1.5
Stars
VIDEO: Watch the trailer for
The Condemned
.
Like SNL alums, star wrestlers on their way out get a big-screen vehicle — sort of a retirement gift, no matter how much of a jalopy it is. Most are forgettable, and that goes for this “Stone Cold” Steve Austin thriller that lifts much from
The Most Dangerous Game
and the campy
The Running Man
. But it’s not Austin’s fault; his Jack Conrad, a military operative caught up with death-row trash, is likable enough. He’s one of the 10 unwilling contestants drafted into a death-match Survivor reality show broadcast over the Internet. (
Videodrome
already nailed the guerrilla snuff-film genre.) The real villain is the show’s avaricious producer, Ian Breckel (Robert Mammone, seemingly cast for his Mark Burnett looks), but Mammone’s no Richard Dawson, so the sadistic high jinks are reserved for amoral deviant Ewan McStarley (Vinnie Jones, the former English football hard man who famously “marked” Paul Gascoigne by grabbing his testicles), who spouts choice one-liners as he tortures, maims, and worse. It almost works, but the slack direction by Scott Wiper puts the flick in a sleeper hold that even Austin can’t break.
Related
:
Sleepwalking
,
Jumper
,
Before and after images
,
More
Sleepwalking
Charlize Theron likes to ugly herself up for roles, hiding her beauty behind dishwater hair and puffy eyes.
Jumper
Life and this movie are too short to have to put up with the little shit.
Before and after images
With José Luis Guerín, the cinema returns to its origin in photography.
Teeth
Nearly 45 minutes of expectant foreplay culminates in an unsatisfying, messy anti-climax that’s, well, toothless.
2007 Sundance Shorts Program
The features at the Sundance Film Festival have tended toward limp, pseudo-indie pabulum.
U2
It was with The Joshua Tree that they became stadium-ready international superstars and solidified their relationship with producer Brian Eno.
Youth Without Youth
Try telling Francis Coppola that, especially since he hasn’t uncorked a lulu like this one since From the Heart .
Chiodos
This post-hardcore sextet get their name from three Italian filmmaker brothers best known for an ultra-campy 1988 horror flick about extraterrestrial clowns taking over Earth.
Aviva My Love
Given all these stereotyped woes, what choice does she have but to transform them into even more-cliché’d stories, narrated in voiceover and dutifully illustrated by the filmmaker?
Sleuth
Think Carlton Fisk and Thurman Munson.
The Rape of Europa
The filmmakers are assuming that after so much documentation of murder and torture we could stand to consider instead the material and cultural losses.
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ARTICLES BY TOM MEEK
REVIEW: GOD BLESS AMERICA
| May 17, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
REVIEW: THE PIRATES! BAND OF MISFITS
| April 24, 2012
Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
REVIEW: GOD BLESS AMERICA
| April 18, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
REVIEW: UNDEFEATED
| March 15, 2012
Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
REVIEW: DR. SEUSS' THE LORAX
| March 01, 2012
Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.
See all articles by:
TOM MEEK
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