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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Hannah Takes the Stairs
And they don't go anywhere
By
PETER KEOUGH
|
September 5, 2007
HANNAH TAKES THE STAIRS
" alt="photo of 'HANNAH TAKES THE STAIRS'">
1.5
Stars
HANNAH TAKES THE STAIRS: Rub-a-dub-dub,
1812 Overture
in a tub.
Hannah’s stairs seem like those in the Escher prints that don’t go anywhere, and that describes this entry in the bunch-of-cool-but-inarticulate-twentysomethings-talking-about-stuff genre that Andrew Bujalski brought to full bloom in
Mutual Appreciation
. Bujalski has a role (and he wrote the screenplay, with a host of others) in this aimless indulgence from Joe Swanberg (
LOL
) as one of three slackers seduced and abandoned by Hannah (Ellen DeGeneres look-alike Greta Gerwig). Hannah’s problem: she’s never satisfied. Also, she thinks the world is a bad place because nobody listens to anybody. But then, if you listen to her “ramblings,” she has nothing to say. Nonetheless, certain images, like two people in a tub playing the
1812 Overture
on trumpets, are worth the visit.
Related
:
Mixing it up with Strauss
,
On top of the Pops
,
Holiday favorites
,
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Mixing it up with Strauss
Although the works of German composer Richard Strauss rank among my favorites, it was unfair to give him credit last week for Die Fledermaus .
On top of the Pops
If you look up "surreal" in the dictionary, you might find a picture of a full orchestra fronted by five longhairs in tuxes.
Holiday favorites
For many of us, the holidays would not be the same without the familiar melodies and musical traditions we’ve grown to love.
Movie music
Classical music in 2008 Boston did not get off to a brilliant start.
Is there a pianist in the house?
Moved and excited by pianist Leon Fleisher in Beethoven’s Emperor Concerto with the Boston Symphony, I wanted to hear it again.
Amazing weekend
James Levine’s opening salvo for his year-long Beethoven/Schoenberg series with the Boston Symphony Orchestra couldn’t have been more ambitious: the work that opened Symphony Hall in 1900.
How it's done
The problem with the Ninth is that it gets played like a monument.
Codeine Velvet Club | Codeine Velvet Club
Like a Glaswegian version of Arctic Monkeys frontman Alex Turner’s Last Shadow Puppets , the Codeine Velvet Club project finds Jon Lawler of the Fratellis making retro-’60s supper-club pop with sweeping orchestral arrangements where the fuzzy guitars usually go.
Unembarrassed riches
Some weeks Boston has such musical riches, one wouldn’t want to be anywhere else.
A little history
Two of Boston's most admired and honored composers (both Pulitzer winners) have just celebrated landmark birthdays: Yehudi Wyner his 80th and John Harbison his 70th.
Landmarks
Seventy-four years after Schoenberg composed (but never finished) Moses und Aron , this towering 20th-century masterwork got its first Boston Symphony Orchestra performance.
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ARTICLES BY PETER KEOUGH
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
REVIEW: THE DICTATOR
| May 16, 2012
Though his PR campaign might suggest otherwise, Sacha Baron Cohen has actually made (with director Larry Charles) a sweet movie, not unlike Charlie Chaplin's The Great Dictator , if less sentimental.
REVIEW: THE HUNTER
| May 17, 2012
Apparently extinct since the 1930s, the Tasmanian Tiger resembled an uncanny assortment of mismatched parts from other animals. Daniel Nettheim's film is equally weird and motley.
See all articles by:
PETER KEOUGH
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