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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Yacoubian Building
Three-hour Egyptian epic
By
MICHAEL ATKINSON
|
December 12, 2007
THE YACOUBIAN BUILDING
" alt="photo of 'THE YACOUBIAN BUILDING'">
2.5
Stars
THE YACOUBIAN BUILDING: A Cairo-based Gone with the Wind.
This three-hour Egyptian epic — the most expensive ever made, and the first to get US release — has been crafted in the old school, by youngish pro Marwan Hamed, as a massive Arabic soap opera, a Cairo-based
Gone with the Wind
swoony with mourning for a privileged colonialist past and with a melodramatic fascination for the bloody ideological conflicts of the present. Notably in a nation with strict censorship laws (somewhere slackly west of Iranian
sharia
), Hamed’s film revolves around the need for, and the degeneration of, sex and money, and it’s groundbreakingly frank in its native territory about homosexuality and female exploitation. Hammy, lavish, and often thunderfooted, the movie is an immersion in rare pulp, and as much a window on Egyptian urbanity as on a semi-polished Arab film industry trying to come to grips with a tumultuous world and its own sociopolitical contradictions.
Arabic | 161 minutes | MFA: December 14-16, 20, 22-23, 29-30; January 6
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Unlike Lopez, he digs beneath the soap-opera dialogue and bares his character’s soul.
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This silly would-be soap opera directed by Ricardo de Montreuil takes a steamy premise and drains all the fun out of it.
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Film Culture wanted to check out Boston’s first rally supporting the Writers Guild of America strike to see which New England–based screenwriters would answer the call.
Tub thumping
Lady Macbeth has been scrubbing herself on stage for 400 years, and Jean-Paul Marat spends most of Marat/Sade issuing rhetoric from a tub.
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Marketing magic
When you dial the Disney Channel headquarters in Burbank and ask to be transferred, the operator will cheerily instruct you to have a “magical day.”
Playlist: July 6, 2007
The Pointer Sisters, Escape from New York , Squids, and more.
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So I’ve been reading Introducing Baudrillard (Verso).
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Seinfeld writers Gregg Kavet and Andy Robin conceived this project as a TV series, which is where it should have stayed.
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ARTICLES BY MICHAEL ATKINSON
REVIEW: THE DEEP BLUE SEA
| March 29, 2012
Like a bad dream trapped in amber, Terence Davies's studied film adaptation of Terence Rattigan's famous 1952 play is both spectrally beautiful and frozen in self-regard.
REVIEW: YOU ARE ALL CAPTAINS
| November 08, 2011
A sublime meta-fictional trifle that evokes Abbas Kiarostami's '90s mirror-films of children, Oliver Laxe's jaunt lands in a semi-rural Moroccan school for orphans.
REVIEW: WE CAN'T GO HOME AGAIN
| November 02, 2011
Made as a communal experiment, the film is an avalanche of amateur avant-garde hijinks, closer to Brakhage and Markopoulos than to Hollywood.
REVIEW: STRAW DOGS
| September 20, 2011
Remaking, polishing, and in effect housebreaking what should've remained untamed and feral, Rod Lurie's new version of the Peckinpah classic follows the original's story beats closely, and so the devil is in the details.
REVIEW: THE DISAPPEARANCE OF MCKINLEY NOLAN
| August 30, 2011
An investigative doc brimming with cultural resonance and historical savvy, Henry Corra's film has ahold of a pungent story — that of the titular black Texan fella who vanished in Vietnam 40 years ago.
See all articles by:
MICHAEL ATKINSON
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