The Phoenix Network:
 
 
About  |  Advertise
 
Big Hurt  |  CD Reviews  |  Classical  |  Jazz  |  Live Reviews  |  Music Features
Best2012Vote-1000x50

Fascinating Rhythms

Tomasz Stanko, Regattabar,  October 19, 2006
By JON GARELICK  |  October 23, 2006

 

Sixty-four-year-old jazz trumpeter Tomasz Stanko’s music has many virtues: dynamic variety, elastic rhythmic freedom, responsive ensemble interplay, beautiful sound. But one doesn’t listen to his half dozen or so ECM recordings of the past decade (the latest is Lontano) for ripping up-tempo solos and hard swing. So his second set at the Regattabar last Thursday began as you might expect: an upward solo phrase from Stanko, a response from bassist Slawomir Kurkiewicz, an answering variation from Stanko, soft brushwork from drummer Michal Miskiewicz, gossamer piano runs from Marcin Wasilewski, all rubato and tonally ambiguous. But then Kurkiewicz began striking a repeated note, Miskiewicz switched to sticks, and they were off, Stanko swooping from his comfortable middle register to high trills and shrieks, Wasilewski vamping with his left hand.

The set had it languors, for sure. Stanko himself plays in a spare, uninflected style with little vibrato, saving the fireworks for exclamatory trills and smears and swoops rather than pyrotechnic 16th-note runs. Or even eighth notes, come to think of it. But the band did move into fast tempos, and there were even hints at Latin rhythms. To these ears it was manna when, 40 minutes into the set, the quartet finally shifted into a fast-walking 4/4, Wasilewski playing eighth-note runs, Miskiewicz leaning his head toward his ride cymbal as he drove dotted rhythms and goosed the time with dancing triplets on tom and snare and off-kilter bass-drum bombs. The drummer was responsive to Wasilewski’s every move, and he drove the pianist to his own ecstatic two-handed climaxes. Stanko’s melodies are beautiful, but it was Wasilewski’s solos that drew the biggest cheers from the small late-night crowd. (The band played mostly without pause and without speaking to the audience until Stanko gave introductions at the end of the set.) Two encores returned to ballad tempos. But they were pretty.

Related: Tomasz Stanko Quartet, Extremeties, The talk of the town, More more >
  Topics: Live Reviews , Tomasz Stanko, Marcin Wasilewski, Slawomir Kurkiewicz
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/20 ]   "Aphrodite and the Gods of Love"  @ Museum of Fine Arts
[ 02/20 ]   National Pancake Week  @ Bristol Lounge
[ 02/20 ]   "Portlandia: The Tour"  @ Berklee Performance Center
ARTICLES BY JON GARELICK
Share this entry with Delicious
  •   DOMINIQUE EADE AT SCULLERS  |  February 10, 2012
    "I'm discontented with homes that I've rented/so I have invented my own," sang Dominque Eade slowly, over a simple bass accompaniment.
  •   CAN THE CHARLES RIVER ESPLANADE BE TRANSFORMED INTO THE WORLD'S BEST PARK?  |  February 17, 2012
    What if — in place of the current three-story Museum of Science parking garage overlooking the Charles River — there loomed a giant Ferris wheel, on the order of the London Eye?
  •   TIM BERNE COMPOSES HIMSELF  |  February 07, 2012
    It's been almost exactly four years since Tim Berne's last visit to Boston— March 2008, to be precise, with jazz-prog guitarist David Torn's band Prezens.
  •   JASON MORAN AT JORDAN HALL  |  February 03, 2012
    I have to admit, I was not sanguine at the beginning of this highly anticipated concert by pianist and composer Jason Moran.
  •   MARISSA AND CHARLES LICATA AT SCULLERS  |  February 02, 2012
    I can't remember the last time I saw a costume change in the middle of a jazz show — if ever — but violinist Marissa Licata's performance with her father, saxophonist Charles Licata, and their band held all kinds of surprises.

 See all articles by: JON GARELICK

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed