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Splendid Theory

Wait for it...
By WILL SPITZ  |  January 30, 2007

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Thom Yorke
Producer extraordinaire Nigel Godrich’s new Internet TV show, From the Basement, is splendid in theory: bring A-list artists (Thom Yorke, the White Stripes, Beck, etc.) to a first-rate studio (the BBC’s Maida Vale in London), hire an acclaimed music video director (Sophie Muller) to shoot in high-def as said artists play in the intimate space (no studio audience), and have one of the best producers going (Godrich himself) record the audio using all-analog equipment, and, blap!, you’ve got yourself one helluva show, right? But here’s the paradox: the available formats — iTunes’ MP4 and Windows Media Video — offer not-quite-DVD-quality video and nowhere-near-CD-quality audio. And the price tag ($12 for the first episode — six songs at $1.99 a pop) borders on insulting, especially when you consider that most TV shows on iTunes go for $1.99 per episode. So though I thoroughly enjoyed episode #1 (three songs from the Stripes, two from Yorke, and one Kieran Hebden/Steve Reid collabo), I’d recommend waiting till the whole thing’s available on DVD. Here’s a look at four of the performances.

The White Stripes,“Red Rain”
Jack White, looking creepy as ever with his pencil ’stache, does what he does best, kicking out the heavy-as-hell slide-guitar blooze while Meg pounds along, bouncing up and down on her stool and giving the crash cymbal a rest every now and then to bang out the song’s two main hooks on the bells.


Kieran Hebden and Steve Reid, “Mom’s Marmalade”
British electronic-musician Kieran Hebden (a/k/a Four Tet) and veteran free-jazz drummer Steve Reid, who released two collaborative albums last year, do their improv thing, with Hebden layering high-pitched bleeps and airy whirs over Reid’s relatively straightforward jazz rhythms. Nothing amazing about the music, but it’s exciting to see an old cat like Reid interact with a young dude like Hebden.


Thom Yorke, “Videotape”
In his solo vocals-and-piano rendition of this new Radiohead tune, which the band played on their spring/summer tour last year, Yorke distills the song’s base elements: its unusual chord structure and haunting melody. The only hint of its tricky off-beat rhythm is Yorke’s barely audible foot tapping.


Thom Yorke, “Down Is the New Up”
Another song that Radiohead introduced on last year’s tour, “Down Is the New Up” is one of the best of the new lot. Yorke gives an emotive performance, half-sneering and half-laughing as he sings, “Your future’s bleak/You’re so last week.”

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