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CD Reviews
Ruthie Foster
The Phenomenal | Blue Corn
By
TED DROZDOWSKI
|
February 6, 2007
RUTHIE FOSTER, THE PHENOMENAL
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4.0
Stars
Usually when an artist does a makeover on his or her music, the results are disastrous, but this 42-year-old Texas singer-songwriter is an exception. With four solid albums in the acoustic/folk realm, Foster was already a darling of that world’s underground. Now, thanks to this collaboration with Austin producer Malcolm Welbourne, she’s the newest voice in old-school soul. The arrangements draw on the classic R&B of the ’60s and ’70s, blending Hammond B-3 organ, Wurlitzer electric piano, smooth and rippling guitars, and walloping backbeats to provide a mattress for her warm singing, which has just the right mix of honey and jalapeño. Foster pens her own evocative tunes, like the romantic “Harder Than the Fall” and the back-country celebration “Beaver Creek Blues.” She’s also a visceral interpreter, reviving the ancient Delta spirit of Mississippi legend Son House’s
a cappella
“Grinnin’ in Your Face” and putting every bit of sugar and sand she possesses into Lucinda Williams’s impossibly bittersweet “Fruits of My Labor,” one of the most beautiful songs of this decade. Add in Welbourne’s astute update of a grand sonic tradition plus Foster’s activist social consciousness and her performances here fall somewhere within a spectrum defined by Nina Simone, Aretha Franklin, and Roberta Flack. Phenomenal indeed.
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Praise the Lord
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Not quite phenomenal
Fans of deep-roots blues and soul are always looking for new heroes and heroines.
Praise the Lord
This article originally appeared in the March 13, 1993 issue of the Boston Phoenix.
Tone poet
As one of the darlings of electronic music, Amon Tobin has seduced millions with layered blends of techno, jazz, and samba, all buoyed by kinetic beats.
The rites of Robby
“At first he was a douchebag,” says Roadsteamer (a/k/a Rob Potylo) of the character he created.
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Jason Aldean is a young, earring-wearing hat act who plays the Nashville game the way it’s always been played.
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“There are so many hot chicks here in Boston, I wish I was straight!”
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“I’ve got $30 — which three CDs do you recommend?” The fan was at the corner of the stage at Johnny D’s talking to guitarist Dave Fiuczynski, who was on his knees hawking about half a dozen of his discs with different bands at 10 bucks a pop.
Romantico
As Mark Becker’s steady, tender documentary opens, we find mariachi musician Carmelo Sanchez living illegally in San Francisco, playing his guitar and serenading people on the streets and in restaurants with his alcoholic partner Arturo.
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He may be known worldwide as an “African bluesman,” but he never embraced this idea.
Static movements
The LA-based label Mush, home to the clever instrumental hip-hop of Caural, Daedalus, and Company Flow’s Bigg Jus, has signed one of our favorite local pop projects: Boy in Static. K-The-I???, "You're Not That Beautiful" (mp3)
On the racks: October 31, 2006
Plus Lady Sovereign, Isis, and Flavor Flav.
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Ruthie Foster, Songs from The Phenomenal
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