The Phoenix Network:
The Phoenix
Boston
|
Portland
|
Providence
STUFF Boston
WFNX
Live Radio
|
On Demand
Tu Boston
About
|
Advertise
Moonsigns
|
Band Guide
|
Blogs
|
In Pictures
Music
Big Hurt
|
CD Reviews
|
Classical
|
Jazz
|
Live Reviews
|
Music Features
See all in CD Reviews
Battles | Gloss Drop
CD Reviews
Robert Glasper
In My Element | Blue Note
By
JON GARELICK
|
March 27, 2007
ROBERT GLASPER, IN MY ELEMENT
" alt="photo of 'ROBERT GLASPER, IN MY ELEMENT'">
3.0
Stars
In a lot of ways, 28-year-old pianist Glasper’s band with bassist Vicente Archer and drummer Damion Reid is right in the pocket of the modern piano-trio tradition: elastic three-way conversations among acoustic instruments. And a medium-tempo dance like Glasper’s “One for ’Grew” (for Mulgrew Miller) bears that out: an easy 4/4 over Latin accents. But more typical is the opener, “G&B,” which toggles between the title keys, the tease of a melody cycling through an odd-metered groove. Glasper prefers fragmented statements, short bursts of notes, and slow-developing group narratives to long-lined eighth-note solos. Instead, he, Archer, and Reid create engines of contrary motion, tugging the rhythm and harmony every which way — the fast drum ’n’ bass patter of Archer’s snare and kick, Reid’s lurching syncopations, Glasper stating and eliding the beat. The linear statements come in short right-hand machine-gun bursts; the left-hand chords don’t merely outline the harmonic shape of the piece, they offer commentary — reassuring or mournful — to the agitation in the right. Sometimes the beat breaks into hip-hop (there’s a piece by J Dilla), elsewhere into unabashed romantic balladry (Radiohead’s “Everything in its Right Place” mashed with Herbie Hancock’s “Maiden Voyage”). Glasper’s transparent surfaces reveal roiling depths.
Related
:
In and out
,
Skimming the cream
,
Side by side by the waterside
,
More
In and out
Berklee professor Bill Banfield began his interview with Ornette Coleman at the Berklee Performance Center a week ago Tuesday by recounting the time he told a friend he was going to be visiting Ornette and the friend exclaimed, “You’re going to speak to God! Tell God I said hello!”
Skimming the cream
Some of my favorite things from among the people, CDs, and performances I wrote about this year.
Side by side by the waterside
Gold Sounds were in the middle of a hellacious set of Pavement covers at the JVC-Newport Jazz Festival last Saturday afternoon when a woman who appeared to be in her 70s turned to me and said, “This is the sleeper of the day! I was going to get a lemonade and go back to Al Jarreau, but this is happening!” Slideshow: scenes from the JVC-Newport Jazz Festival
Best in their field
The jazz scene continues to struggle — along with everyone else — through hard times.
In all languages
For the past half decade or so, saxophonist Chris Potter has alternately traveled with two of the best bandleaders in jazz, Dave Holland and Dave Douglas.
All them 88s!
From free to funky, it sometimes seems like a golden age of jazz piano.
Summer concert preview
Why cool down when the concert scene is just getting warmed up? Summer Guide 2006: Cheap thrills from Bar Harbor to New Haven.
Psapp
Psapp's assured and charming second album boasts weirder beats and more danceable rhythms than similar efforts by UK ingénues Imogen Heap and Dido.
Head Automatica
Lead singer Daryl Palumbo has referred to Head Automatica’s debut CD, Decadence , as “electronic cock-rock”; the album suffered for it.
Tuned out
Disney’s tweenpop smash is now the fastest selling TV movie on DVD, ever. Here’s five reasons not to hate the most disgusting show on television.
Legendary Harte
Rick Harte literally suffered to stake out his role in Boston music history.
Less
Topics
:
CD Reviews
,
Entertainment
,
Hip-Hop and Rap
,
Music
,
More
,
Entertainment
,
Hip-Hop and Rap
,
Music
,
Radiohead
,
Underground Hip-Hop
,
Herbie Hancock
,
J Dilla
,
Robert Glasper
,
Robert Glasper
,
Damion Reid
,
Less
|
More
ARTICLES BY JON GARELICK
THE FRINGE AT 40
| May 15, 2012
"I'm feeling a little light-headed," George Garzone told the audience last Saturday at the Boston Conservatory Theater, closing his eyes and bringing a hand to his brow.
THE 2012 NEW ORLEANS JAZZ & HERITAGE FESTIVAL
| May 04, 2012
New Orleans Notes
ESPERANZA SPALDING’S “SOCIETY”
| April 18, 2012
The first time I was knocked out by Esperanza Spalding, she wasn't even playing — she was talking.
WALT WHITMAN VIA FRED HERSCH
| April 19, 2012
The pianist and composer Fred Hersch first encountered the poetry of Walt Whitman as a student at New England Conservatory in 1976.
JAZZ PIANIST AND COMPOSER DAN TEPFER WOULD TAKE ON THE GOLDBERG VARIATIONS
| April 19, 2012
Jazz and Bach have always made good company.
See all articles by:
JON GARELICK
LATEST SLIDESHOWS
PHOTOS: NATO demonstrations in Chicago
Photos: The Fringe at the Boston Conservatory Theater
All Slideshows
Featured Articles in CD Reviews
:
Zambri | House of Baasa
Beach House | Bloom
Santigold | Master Of My Make-Believe
Jack White | Blunderbuss
Alabama Shakes | Boys & Girls
|
Sign In
|
Register
thePhoenix.com:
Home
Listings
Editor's Picks
News
Music
Film + TV
Food + Drink
Life
Arts
Rec Room
Video
Phoenix Media/Communications Group:
Boston Phoenix
Portland Phoenix
Providence Phoenix
STUFF Boston
WFNX Radio
People2People
MassWeb Printing
G8Wave
About Us
Contact Us
Privacy Policy
Advertise With Us
Work For Us
Sitemap
RSS
Mobile
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group