 Prinzhorn Dance School |
In anticipation not of summer but of the ridiculous “song of the summer” dart-throwing contest, here are four reminders of what this summer holds for the lot of us: back sweat, no A/C, crowded streets, inappropriate people in inappropriate outfits, a sunburnt and smelly Chinatown, rats (newly minted baby rats), bugs in sinks and ants at picnics, bad tans and the people with nice ones.
Prinzhorn Dance School, “Up Up Up”
New DFA signee Prinzhorn Dance School play minimal, exacting punk rock that suggests Wire, though PDS take “restraint” to a more curious degree: if the terrifying slashes of cymbal and manic out-of-tune rubato and militant screams of “UP! UP! UP!” don’t land this in a Tarantino film, the hard-blues bass line will.
Baby Oliver, “Primetime (Uptown Express)”
Taking as its ostensible subject any number of MTA subway trains that go uptown express and downtown local, “Primetime” is Brooklyn’s Baby Oliver’s first disco-house single, sort of a streamlined novelty-hit hybrid of “Coffee Pot” and “Disco Duck.” “If you get on the train, you’ll never feel pain again” — on second thought, it’s probably not about the subway.
Lee Douglas, “New York Story”
There aren’t many low-cost opportunities to hear DJs play outdoor gigs, except for, like, parish carnivals, but if you’re lucky, you’ll hear this one, an instrumental filterhouse track with dovelike flutters of synth, an Italo-influenced bass line, and one massive break.
Ame, “Fiori”
This exhausting 16-minute monster comes off a new compilation called Shut Up and Dance that includes electronic dance music the Staatsballett Berlin is scheduled to perform on June 29 at Berlin’s Berghain dance club. From one unassuming synth arpeggio, the track blossoms with zero effort into an enormous Schaffel stomp, at a pace that’s not unlike the Carl Craig remix of Delia & Gavin’s “Relevee,” the “Fiori” of 2006.
Related:
Far into the Future, Religion and shit, FARC, More
- Far into the Future
Almost every Tuesday night, New York DJ/producer Tim Sweeney live-mixes disco, house, electro, and offshoots and recombinants thereof.
- Religion and shit
If punk is really just folk music, maaaan , then how come so many punks insist on getting back to roots-rock in their old age?
- FARC
You’ve probably heard of two of the “indie” hip-hop artists below, even if they’re bypassing trad distribution models and just giving away their music.
- Blowing up
I’m guessing most people know this by now: album sales continue to tank.
- Notoriously stingy labels
A bunch of labels still refuse the unedited, half-decently coded MP3 as a mechanism for publicity.
- The street scene
Without getting into the history and the morality of mixtapes, it’s worth mentioning that Pharrell isn’t the first rapper who’s scored more artistic points with a mixtape than with a sanctioned label release. Pop goes a Neptune: Pharrell Williams raps his way into a corner. By Nick Sylvester
- Metal mixes
Without naming names, I have to say I’m not crazy for all this Franco-filter-metal dance music that’s been making so many indie-dance party playlists lately — lots of overdriven guitars set incongruously to boilerplate four-to-the-floor beats.
- Résumé: Selected + Mixed by Citizen Crew
The French labels Kitsune, Ed Banger, and Institubes have clogged dance bins with aggro, monochromatic, twitchy filter metal.
- Slow dives
Surely the Interpol dick-riding will end soon, yes?
- Life got you down?
A few days ago, my computer went to shit on me, something I never thought would happen.
- DJ Kicks: Hot Chip
For years, the DJ Kicks series on the K7 label represented genre defining at its finest.
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