The Phoenix Network:
The Phoenix
Boston
|
Portland
|
Providence
STUFF Boston
WFNX
Live Radio
|
On Demand
Tu Boston
About
|
Advertise
Moonsigns
|
Band Guide
|
Blogs
|
In Pictures
Music
Big Hurt
|
CD Reviews
|
Classical
|
Jazz
|
Live Reviews
|
Music Features
See all in CD Reviews
Battles | Gloss Drop
CD Reviews
The Fun Years
Life-Size Psychoses | Barge
By
DAVID DAY
|
May 29, 2007
THE FUN YEARS, LIFE-SIZE PSYCHOSES
" alt="photo of 'THE FUN YEARS, LIFE-SIZE PSYCHOSES'">
3.0
Stars
Isaac Sparks (right) of the Fun Years with Geoff Mullen
In experimental music, there are constructs of noise and dissonance and there are landscapes of ambient textures. The Fun Years (a/k/a un-Lockedgrooved Ben Recht and fellow Bostonian Isaac Sparks) belong to the second group. With softly disintegrating turntable loops and simply strummed guitar, the duo aim for an oscillating sense of calm, never static, but never jarring, either. Four of the five tracks clock in at more than 10 minutes, so each simple groove gets to develop at its optimum pace. The album’s fulcrum, a four-minute song obliquely titled “D>>2”, breathes with metallic sighs. Recht is an accomplished electronic musician, but his way with a guitar has a gentle human touch, and Sparks lets his turntable crackle with all the imperfections of the format. The result is a kind of Sunday-afternoon porch album that can live with you, not an avant-garde piece meant to be played in the presence of the correct company. The wavering tracks never break (each track flows into the next), so you may not even know that one song has begun and another ended. That’s not to say this album is for everyone — Recht’s doom-like touches on “Softly As Stilts” are a bit hair-raising. But like other drone-ambient artists, the Fun Years may have a broader audience than their avant-garde label might lead you to think.
Related
:
OMG, they’re dancing!
,
Sailing the Seas of Blood
,
Say Anything
,
More
OMG, they’re dancing!
When word came that G NOTORIOUS (a/k/a Geoff White) was putting out a promo-only grime mixtape, two questions came to mind. “Where’s G Notorious been?” And “Why grime?”
Sailing the Seas of Blood
Two straight weeks reviewing discs with nautical themes in their packaging and not a sea shanty to be found.
Say Anything
This LA-based emo-rock outfit are the brainchild of young Max Bemis, an overachieving singer-songwriter who’s as unnerved by scene politics as he is by romantic tribulations.
Bit players
What do you get when you cross NYU music-technology majors just out of their teens, vintage Nintendo Entertainment System and Game Boy gear, traditional rock-and-roll instruments, a mysterious, robot-building fellow named José with half a middle finger on one hand, and a shadowy underground network of info-spreading Swedes? No.
Portland scene report: November 23, 2007
If anything, the play list has gotten older (we heard Crash Test Dummies the other day, which was frightening), and we’ve yet to hear a local song as we flip through the stations.
Mission statements
You can tell a lot by a man’s record collection, and even more by his DJ set. And if not? Well, you still got to hear the new Burma record The Obliterati at the Enormous Room.
On-line bins
In the age of the iPod and the impersonal digital download, the death knell of the traditional record store, piled high with vinyl and CDs, gets sounded with monotonous regularity.
After hours
House music — that surprise descendant of disco and of so many other, older rhythm styles — is big in Boston and becoming bigger very fast. So let’s cut right to the chase and take you into a couple of house’s power stations to see what’s going on.
+/-
James Baluyut honed his indie-rock chops playing guitar in his older brother Richard’s mid-’90s band Versus, an underrated outfit whose lean, sexy jangle would’ve been well served by the blogosphere’s sponsorship.
Bibio | Ambivalence Avenue
Since this new record by Wolverhampton's Stephen James Wilkinson (a/k/a Bibio) has done nothing but delight me, I'm going to honor the sentiments posted to his MySpace blog and spare him the f-word and all variants thereof.
The South shall rise . . .
The singing groups of the South of France draw on everything from mediæval pilgrimage chants and troubadour poetry to contemporary rap and ragga.
Less
Topics
:
CD Reviews
,
Entertainment
,
Science and Technology
,
Technology
,
More
,
Entertainment
,
Science and Technology
,
Technology
,
Music
,
Audio and Video Devices
,
Consumer Electronics
,
Electronics
,
Stereo Systems
,
Ben Recht
,
Isaac Sparks
,
Less
|
More
ARTICLES BY DAVID DAY
DAY BY DAY BY DAY
| September 18, 2007
Two years ago, the Phoenix asked me to write a weekly column about Boston’s growing electronic music and DJ scene.
THE DUFF CONNECTION
| September 12, 2007
“I really haven’t had to deal with any crazy paparazzi, since we usually keep a low profile and sneak in the back door of places.”
BASSTOWN NIGHTS
| September 12, 2007
If 2006 was the year Boston germinated, 2007 is the year it grows up.
PARTY PROS
| September 06, 2007
Weekend Warriors, or WKND WRYRZ, is the Sunday-night lounge party at ZuZu in Central Square.
CITIZENS OF BASSTOWN
| August 29, 2007
The proliferation of dance parties in Boston has led not only to a rise in the number of DJs but also to a growth in the ranks of dancers.
See all articles by:
DAVID DAY
LATEST SLIDESHOWS
PHOTOS: NATO demonstrations in Chicago
Photos: The Fringe at the Boston Conservatory Theater
All Slideshows
Featured Articles in CD Reviews
:
Zambri | House of Baasa
Beach House | Bloom
Santigold | Master Of My Make-Believe
Jack White | Blunderbuss
Alabama Shakes | Boys & Girls
|
Sign In
|
Register
thePhoenix.com:
Home
Listings
Editor's Picks
News
Music
Film + TV
Food + Drink
Life
Arts
Rec Room
Video
Phoenix Media/Communications Group:
Boston Phoenix
Portland Phoenix
Providence Phoenix
STUFF Boston
WFNX Radio
People2People
MassWeb Printing
G8Wave
About Us
Contact Us
Privacy Policy
Advertise With Us
Work For Us
Sitemap
RSS
Mobile
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group