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Battles | Gloss Drop
CD Reviews
The Tuss
Rushup Edge | Rephlex
By
SUSANNA BOLLE
|
July 30, 2007
THE TUSS, RUSHUP EDGE
" alt="photo of 'THE TUSS, RUSHUP EDGE'">
3.0
Stars
Things often are not as they seem — then again, often they are. Rumor has it that the mysterious UK electronic music artist known as the Tuss is not a young, unknown talent named Brian Tregaskin but rather the inimitable Richard D. James (a/k/a Aphex Twin, AFX, Polygon Window, and so forth
ad infinitum
). The evidence in support of James as Tuss includes a pair of suspicious MySpace pages, the fact that Tuss’s debut has been released by James’s Rephlex label, and the Cornwall connection: Tuss is Cornish slang for “erection” and James hails from Cornwall. There’s also the prominent use of a very rare, very expensive Yamaha GX1 synth on
Rushup Edge
that James is known to own. But it’s the Tuss’s music that makes the most persuasive argument. With its funky, flatulent synths, disjointed melodies, and razor-edged beats, it all sounds very Jamesian. The brilliant first two tracks, “Synthacon 9” and “Last Rushup 10,” are textbook Aphex with their complex rhythmic patterns and deft bass lines. Besides, who but James would deliver the gabba-break madness of “Death Fuck” and then turn around and serve up a lush, lovely, strange, and unnerving track like “Goodbye Rute?” Not that it really matters. The Tuss by any other name . . .
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| February 20, 2009
After a brief stint in Pittsburgh, guitarist and electronic musician GEOFF MULLEN is back in his native Rhode Island, and the New England music scene is so much the better for it.
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| February 02, 2009
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| January 20, 2009
Although composer JOHN CAGE is best known for 4'33" of silence, he could raise a ruckus when the mood struck.
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