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Battles | Gloss Drop
CD Reviews
Nick Lowe
At My Age | Yep Rock
By
BRETT MILANO
|
August 7, 2007
NICK LOWE, AT MY AGE
" alt="photo of 'NICK LOWE, AT MY AGE'">
3.0
Stars
Now that Nick Lowe consistently delivers albums as wise, tuneful, and warm-hearted as this one, would we dare criticize him for not rocking? Well, maybe just a little: after four ballad-heavy discs (beginning with 1994’s
The Impossible Bird
), it wouldn’t kill his integrity to have a Rockpile-style bash just once. Still, it’s worth remembering that Lowe’s rock albums were running out of steam long before he abandoned the format, and that the post-
Bird
albums have been virtually filler-free (if short — this one’s a typically scant 33 minutes). Once again he draws mainly from deep soul, country, and traditional pop, but this time he rolls all three into a personalized mix instead of jumping around. Although the relaxed tempos (and the title) nod to his advancing years, most of the songs concern the more youthful topic of new-found love. The singer’s personal life is clearly on an upswing, so there’s nothing as angst-ridden as “The Beast in Me” (his best-known song of recent years, thanks to Johnny Cash). Indeed, this is a spiritual cousin to John Hiatt’s
Bring the Family
(on which Lowe played bass), an album about second chances and unanticipated contentment. But Lowe knows that his fans are a bit more cynical than Hiatt’s, so he throws in enough wry jokes and left-field rhymes to remind you that he’s the same guy who once made
Labour of Lust.
And, by the way, he’s never sung better.
Related
:
Lowe life
,
Nick Lowe: Jesus of Cool
,
Boston music news: February 22, 2008
,
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Lowe life
Nick Lowe is a rare creature, a punk rock founding father who has endured and evolved gracefully.
Nick Lowe: Jesus of Cool
The reissue tacks on 10 additional tracks, making this expanded edition the final word on Jesus of Cool .
Boston music news: February 22, 2008
This is Nick Lowe weekend in five cities.
Going on sale: July 20, 2007
Tesla, Nick Lowe, Spoon, and more.
Jules Shear
Like John Hiatt and Loudon Wainwright III, Shear is a renowned singer-songwriter from the ’70s who despite meager sales still manages to find labels dedicated to releasing his work — in this case Drexel University’s newly formed MAD Dragon Records.
Jim's gems
Dickinson's eclectic catalog
Make like a leaf
Fall appropriately takes the baton (sorry, Olympics still on the mind) from a stand-out summer of music in Portland.
Review: ''Backstage Pass'' at the PMA
The half-century chronology covered by the Portland Museum of Art's latest exhibition, "Backstage Pass," reveals in photographic portraiture a story of music that is a euphemism for the ultimate creative act. Like sex, rock-and-roll is about surrender to the present moment.
Interview: Greil Marcus
Greil Marcus on rock-and-roll photography
Slideshow: ''The Beast In Me - Johnny Cash''
Artwork from "The Beast In Me—Johnny Cash: Art Influenced by the Struggle of a Man" at the Nave Gallery
Wrote a song for everyone
Political experts know the most important factor in a successful race for governor is the campaign song.
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ARTICLES BY BRETT MILANO
WALTER SICKERT LEADS A BAND OF MUSICAL MISFITS
| February 05, 2011
When Walter Sickert and his Army of Broken Toys played an official First Night show at the Hynes Auditorium on New Year's Eve, they ran overtime and the soundman pulled the plug — which isn't quite the smartest way of shutting down an acoustic band.
GUIDED BY VOICES RETURN WITH SELF-INFLICTED NOSTALGIA
| November 07, 2010
When Guided by Voices announced their reunion tour this year, it marked a milestone of sorts for the Dayton band. This is arguably the first conventional career move they've ever made.
DANDO AND HATFIELD REKINDLE A MUSICAL COURTSHIP
| November 01, 2010
Evan Dando and Juliana Hatfield were never a serious couple, and they never played music together for very long.
REVIEW: ROCK OF AGES
| October 12, 2010
At the start of the hair-metal musical Rock of Ages (at the Colonial Theatre through October 17), narrator Lonny (Patrick Lewallen) promises a night of sexy decadence and general kick-assery.
DREAM SYNDICATE'S STEVE WYNN REVIVES A CLASSIC
| October 12, 2010
At the end of 1983, I was writing for Boston Rock magazine, and in one issue, we predicted the defining releases of the year to come.
See all articles by:
BRETT MILANO
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