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Battles | Gloss Drop
CD Reviews
Talib Kweli
Ear Drum | Warner Bros.
By
MATTHEW GASTEIER
|
August 20, 2007
TALIB KWELI, EAR DRUM
" alt="photo of 'TALIB KWELI, EAR DRUM'">
3.0
Stars
Although Talib Kweli consolidated his place among the underground hip-hop elite with his last two albums, the talented Brooklyn-born rapper hasn’t had a consistent full-length since he teamed up with producer Hi-Tek seven years ago on
Train of Thought
.
Ear Drum
doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form. Kweli’s lyrics lean toward feel-good consciousness, but his points are sharp, and he’s confident enough to experiment with flows in ways he hasn’t before, stunting syllables and shifting around emphasis as he bounces over the jazzy rhythms with which he works best. Previous collaborators like Kanye West, Madlib, and Hi-Tek complement him with strong beats; even Will.i.am steps up, notably on the vocal-tweaking “Hot Thing.” But it’s with UGK and the smooth and nice beat on “Country Cousins” that Kweli shines, holding his own next to the Southern kings and proving he’ll be worth checking for well into his second decade.
Related
:
Interview: Talib Kweli
,
Photos: Mos Def and Talib Kweli
,
Various artists
,
More
Interview: Talib Kweli
If one hip-hop album crystallized the schism between underground authenticity and mainstream monotony, it was Mos Def and Talib Kweli Are Black Star (Rawkus).
Photos: Mos Def and Talib Kweli
Photos: Mos Def and Talib Kweli, live at House of Blues, September 8, 2009
Various artists
What happened to the label that made college kids feel good about hip-hop in an era when gangstas ruled the streets?
Moe Pope + Headnodic
Megaphone is my favorite murder-free rap album since Talib Kweli & Hi-Tek’s Train of Thought.
Akrobatik
One of the hallmarks of Akrobatik’s style has always been his sincerity.
Skill ride
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
Big business
Now that the music biz has licked its wounds from a nasty 2005, things are finally starting to heat up, and an indie-heavy winter is giving way to a more major spring.
Staying alive
More than KRS-One, more than Jay-Z, and more than Talib Kweli, Little Brother have become the embodiment of everything hip-hop purists think the genre should be.
Peanut Butter Wolf Presents 2K8: B-Ball Zombie War
Stones Throw’s latest label comp, 2K8 , celebrates the indie hip-hop imprint’s deal with 2K8 Sports, who put out all those 2K video games for Xbox and PlayStation.
Talking trash
For a smart guy, Lupe Fiasco has an unusual propensity for spewing verbal garbage.
Lil Wayne’s world
On his mixtapes, Wayne is the most playful, experimental artist in mainstream hip-hop
Less
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ARTICLES BY MATTHEW GASTEIER
UGK
| September 18, 2007
Underground Kingz is not quite an instant classic, but it would be hard to deny that UGK have reclaimed their throne.
TALIB KWELI
| August 20, 2007
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
SKILL RIDE
| July 17, 2007
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
THE HATE-LOVE-HATE CYCLE
| June 18, 2007
The field is already packed with newcomers and veterans alike, all aiming to knock down my standards of good taste and respectability . . .
DIZZEE RASCAL
| June 12, 2007
Boy in da Corner may be the classic Dizzee will be forced to chase for the rest of his career.
See all articles by:
MATTHEW GASTEIER
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