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Battles | Gloss Drop
CD Reviews
Résumé: Selected + Mixed by Citizen Crew
Citizen
By
NICK SYLVESTER
|
October 8, 2007
RÉSUMÉ: SELECTED & MIXED BY CITIZEN CREW
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3.0
Stars
The French labels Kitsune, Ed Banger, and Institubes have clogged dance bins with aggro, monochromatic, twitchy filter metal — what amounts to mere DIY retreads of Daft Punk’s “Rollin’ and Scratchin’ ” or Rage Against the Machine’s “Killing in the Name.” So it’s easy to forget Citizen Records, Vitalic’s less showy, more catholic dance imprint.
Résumé
offers a parallel dimension where DJs favor brighter, fuller, songier tracks like John Ford Fonda’s call-and-response electroclash stomper “So Far Away.” It enjoys a refreshing kinship with techno before house in Carl Craig’s remix of Theo Parrish’s “Falling Up” and Petter’s “Untight,” and it’s even more refreshingly untortured over being up-to-the-moment current. (Sebastien Tellier’s down-tempo piano lounger, “La Ritournelle,” is from 2003; Switch’s ubiquitous “A Bit Patchy” is from 2005, itself a re-edit of Incredible Bongo Band’s “Apache,” the ’73 beat sampled for countless hip-hop classics.) As to rhythm,
Résumé
doesn’t stray far from straight 4/4, building slowly to its more syncopated numbers. Think of it as a subtle criticism of France’s dominant strain of dance.
Related
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Techno files
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The other river rave
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French tickler
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Techno files
By the time the four-man disco band take the stage at Great Scott, the crowd is so jammed into the Allston venue, you’d swear it was a Saturday night.
The other river rave
When heads deserted the Chinatown-warehouse rave scene in the late '90s, the house loyalists from Soul Clap and Marz Entertainment were still cracking glow sticks.
French tickler
"The French language is perfect for talking about sex," muses hirsute Parisian singer and electronic-musician Sébastien Tellier.
Boys Noize
Aficionados and connoisseurs of dance music qua dance music will find Oi Oi Oi a potent, concentrated dose of the undiluted pure stuff.
Basstown tales
As Boston goes, the origin stories of superstar DJs are few and far between.
Nervous energy
“If I actually stopped to think about what’s going on, I’d probably shit myself,” says James Rushent, singer/bassist for UK electro-rock quartet Does It Offend You, Yeah?
Blog house in Basstown
The Internet. Just a series of tubes. When things get humming on the Web, however, they can start singing real quick. Jawn P's "Blood Count (Snippet)" (mp3)
The Tuss
Things often are not as they seem — then again, often they are.
Death rattles
Headhunter and Kid Blue so dope it’s scary
High techno
A prime place to go if you wanted to hear cutting-edge and classic techno from Germany, Detroit, and beyond has been “Make It New” every Thursday at Middlesex Lounge.
Persian Electronic Music: Yesterday and Today, 1966-2006
First things first: this is not, as its title might lead you to believe, a compilation of Iranian electronic music by a variety of artists.
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ARTICLES BY NICK SYLVESTER
PUNK ROCK REDUX
| April 01, 2008
Try reimagining early punk as some physically intense and massively popular athletic contest.
ADOLESCENT FUNKS
| February 19, 2008
Bradford Cox reminds me of my man Polyphemus — not just the one Odysseus conned in the cave but the one posted up in the countryside and pining in song for the sea nymph Galatea.
POP IN A HARD PLACE
| December 16, 2008
The norms Black Dice resist are significant and strong and worth resisting.
BURIAL
| December 26, 2007
Dubstep has been given its Dizzee Rascal moment with the release of Burial’s Untrue , the elusive London producer’s second album.
BROOKLYN CALLING
| December 10, 2007
Below are new sounds from four very different Brooklyn acts.
See all articles by:
NICK SYLVESTER
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